Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
own, and with peculiar social and political regulations, this Greek
chivalry was specially Dorian.[13] Yet it spread through all the states
of Hellas. In Athens it allied itself with philosophy, as afterwards
at Florence did the chivalry of knighthood; and in Thebes, during the
last struggle for Hellenic freedom, it blazed forth in the heroism of
the three hundred, who fell together face-forward to the Macedonian
lances at Chæronea.[14] Meanwhile, Achilles remained for all Greece
the eponym of passionate friendship; and even in the later periods of
Greek poetry the most appropriate title for a pair of noble comrades
was "Achilleian." Concerning the abuse and debasement of such passion
among the historic Greeks, this is not the place to speak. Achilles
and Patroclus cannot be charged with having sanctioned by example any
vice, however much posterity may have read its own moods of thought and
feeling into Homer.
Æschylus wrote a tragedy entitled the _Myrmidones_, in commemoration of
the love of Achilles; and, perhaps, few things among the lost treasures
of Greek literature are so much to be regretted as this play, which
would have cast clear light upon the most romantic of Greek legends. It
may also be mentioned in passing that we possess fragments of a play
of Sophocles which bears the name #Achilleôs erastai#, or _Lovers of
Achilles_; but what its subject was, and whether the drama was satyric,
as seems probable, or not, we do not know. The beautiful passage in
which love is compared to a piece of glittering ice held in the hand of
children, has been preserved from it by Stobæus.
Enough, fortunately, has survived the ruin of time to enable us to
conjecture how Æschylus, in the _Myrmidones_, handled the materials
afforded him by Homer. The play, as was frequent, took its name from
the chorus who represented the contingent of Thessalian warriors led
by Peleus's son against Troy. It opened, if we may trust the scholiast
to the _Frogs_ of Aristophanes, with a reproach uttered by the chorus
against Achilles for his inactivity:
#tade men leusseis, phaidim' Achilleu,
dorilymantous Danaôn mochthous
hous ... eisô klisias.#
Public-domain text, read in full here on John Shaqi.
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