Studies of Travel: ItalyFreeman, Edward A. (Edward Augustus)
History
Studies of Travel: Italy
Freeman, Edward A. (Edward Augustus)
Italy -- Description and travel
The walls of this church form almost a pictorial Bible, with a few
legendary and local subjects thrown in. The Abbot Desiderius, holding,
after the usual symbolical fashion, the church in his hand, is to be
seen at the east end along with the archangels and evangelists. At
the west end is what connoisseurs tell us is one of the very earliest
pictures of the Last Judgment. On the two sides a crowd of scenes and
figures from the Old and New Testament cover the whole space. The style
of the painting is said to show Greek workmanship; we look toward the
west end and mark, hardly above the ground, a single small shaft with
a capital of strictly Byzantine character. The ruling Norman seems on
this spot to have pressed into his service the artistic powers of all
the inhabitants of the peninsula. Italian, Greek, Saracen, all give
their help to adorn the house of the archangel. The Norman himself
contributes nothing but the position of two small columns in the tower
windows. We cannot even attribute to him the position of the house of
the archangel, set Norman-fashion in a high place; for the first church
was built before the Norman came. It is not so further east, where a
distinctively Norman element is to be seen in the great churches of
Apulia. But the gathering together of the best skill of the time from
all quarters is a thoroughly Norman function, whether in Italy or in
England.
The basilica should be compassed, so far at least as to climb the
hill a little way to look at its east end. Its surrounding buildings
supply an arch or two to catch the eye on the way up or down. But the
essential features of Sant' Angelo are the grand display of painting
and the union of elements of so many kinds. It is the first of a great
series of churches at which our course will bid us to stop here and
there. But before we reach them we shall pass by one point where our
musings will again be mainly secular and largely pagan. A short journey
will lead us from Campania into Samnium, and the valiant men of the
Samnite land will claim a tribute on a spot which is Samnite beyond all
others.
VI. A Glimpse of Samnium.
From Caserta and what is to be seen from Caserta, our next journey lies
by the line of railway which runs right across Italy, connecting the
two great lines of the east and west of the peninsula. It leads us from
the Campanian plain, with at least its sheltering wall of mountains,
with Tifata to guard the great city that once was from the ruder land
beyond, to the great plain of Apulia from which every feature of a
mountain-land has passed away. But, in so crossing from one side of
Italy to the other, we pass through a striking and an historic region.
We are in the land of the mightiest Italian rivals of Rome, the land
of those with whom Rome had to fight, before Pyrrhos and Hannibal came,
and ages after Pyrrhos and Hannibal were gone.
Public-domain text, read in full here on John Shaqi.
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