Studies on Homer and the Homeric Age, Vol. 1 of 3: I. Prolegomena II. Achæis; or, the Ethnology of the Greek RacesGladstone, W. E. (William Ewart)
History
Studies on Homer and the Homeric Age, Vol. 1 of 3: I. Prolegomena II. Achæis; or, the Ethnology of the Greek Races
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
The suppositions then towards which we are led are, that Minos was of
Phœnician origin, that he came to Crete and acquired the sovereignty,
that he ruled over a mixed population of Cretans, Pelasgians, and
Hellic tribes, that he organised the country and established an
extended supremacy, especially maritime and insular, beyond its
limits; which however we must not consider as involving the consistent
maintenance of sovereignty according to modern ideas, and which is
in no degree inconsistent with the rule of Danaids or Perseids in
Peloponnesus. Lastly, that in giving form to his social institutions,
he depressed the Pelasgian element of Cretan society, and laid, in
political depression, the foundations of their subsequent servitude.
_Cyprus._
If this be so, it is worth while further to observe, that there are
traces of a somewhat analogous history in Cyprus, another acknowledged
stepping-stone, according to Homer[346], between Greece and the East.
In the Seventeenth Book of the Odyssey[347], Ulysses, in one of his
fictitious narrations, states to the Suitors, that the Egyptians, who
had taken him prisoner and reduced him to slavery, then made a present
of him to their ξεῖνος Dmetor, a descendant of Iasus, who ruled ‘with
might,’ that is, with considerable power over Cyprus (ὃς Κύπρου ἶφι
ἄνασσεν); the same expression as he uses in the Eleventh Book with
respect to Amphion, the Iasid, in Orchomenus. From all we know of the
Iasian name[348], it may be inferred that this was a Pelasgian dynasty,
and if so, then without doubt that it ruled over a Pelasgian people.
Ulysses does not mention the time of this transaction; and it must be
remembered, that he spoke in the character of an aged person, so that
the scene might be laid (so to speak) thirty or forty years back, and
therefore long before the expedition to Troy.
But in the Eleventh Book of the Iliad[349], we find Agamemnon putting
on a breastplate, which was evidently a marvel of workmanship, with
its plates on plates of different metals, and its six dragons flashing
forth the colours of the rainbow. Now we must observe, first, that this
was evidently meant to be understood as a Sidonian or Phœnician work:
secondly, that it was presented to Agamemnon by Cinyres of Cyprus, to
conciliate his favour (--χαριζόμενος βασιλῆï, perhaps we might render
it, to win the favour of _his_ king--) upon the occasion of his hearing
that the king was collecting an armament against Troy. That is to
say, it was to compound with him for not appearing in person to join
the Greek forces. Here then we must infer that there was some vague
allegiance, which was due, or which at least might be claimed, from
Cyprus to Agamemnon, under the πολλῇσιν νήσοισι[350].
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