Studies on Homer and the Homeric Age, Vol. 1 of 3: I. Prolegomena II. Achæis; or, the Ethnology of the Greek RacesGladstone, W. E. (William Ewart)
History
Studies on Homer and the Homeric Age, Vol. 1 of 3: I. Prolegomena II. Achæis; or, the Ethnology of the Greek Races
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
For a length of time the temper of our ancient histories was one of
unquestioning reception. But where much was self-contradictory, all
could not be believed. Under these circumstances, it was not unnatural
that those writers who were full and systematic, should be preferred,
rather than that the labour should be undergone of gathering gold in
grains from the pages of Homer, of carefully collecting facts and
presumptions singly from the text, and then again estimating the amount
and effect of their bearings upon one another. Hence the Catalogues
of Apollodorus, or the downright assertions of Scholiasts, have
been allowed to give form to our early histories of Greece; and the
authentic, but usually slighter notices of Homer, have received little
attention, except where, in some detail or other, they might suit
the argument which each particular writer happened to have in hand.
Again, because Herodotus was by profession an historian and nothing
else (at least, I can discern no better reason), more importance
seems to be attached to his notices of prior ages than to the less
formally presented notices of Homer, who, according to the statement of
Herodotus himself, preceded him by four hundred years. I do not mean
by this remark to imply that Herodotus and Homer are particularly at
variance with one another, but only to illustrate what seems to me a
prevailing source of error.
In general, where the traditions reported by the later writers are
preferred to those of Homer, it is perhaps because, although they may
conflict with probability as well as with one another in an infinity
of points, yet they are in themselves more systematic and complete.
They represent to us for the most part _pasticcios_ arbitrarily made up
of materials of unequal value, but yet made up into wholes; whereas,
the evidence which he supplies is original though it is fragmentary.
Had he been followed by a continuous succession of authors, we should,
no doubt, do wisely in consenting to view the subjects of fact, with
which he dealt, mainly as they were viewed by those who trod in his
steps. But, on the contrary, they were separated from him by a gulf
both wide and deep; over which his compositions floated, in despite
of difficulties so great that many have deemed them positively
insurmountable, only by their extraordinary buoyancy.
Public-domain text, read in full here on John Shaqi.
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