Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
Beyond this, everything assumes a figurative stamp. Scamander fights
as a deity with Achilles, and his waters are so powerful that they can
only be subdued by the immediate action of the god of fire. The hero,
too, is aided by the powerful blasts of Zephyr and of Notus, whom Juno
rouses up to scorch the Trojans[310]. As we can hardly doubt, that
the plague in the First Book represents some form of marsh-fever, so
here it appears likely that the Poet takes very skilful advantage of a
flood, caused by summer rains, which had annoyed the Greeks, and which
had been followed by the subsidence of the waters upon the return of
hot weather.
[310] Il. xxi. 331 and seqq.
Scamander is very great in the Iliad, but with a purely local
greatness. As a person, he speaks both to men and to gods. He addresses
Simois as his beloved brother; but it is entirely on the affair of the
deluge and the heat. Though he takes part in the war, the distinction
is not awarded to him of being a member of the smaller and select
Olympian community: he merely stands included by presumption in the
general category of Rivers[311].
[311] Il. xx. 7.
~_Worship of Scamander._~
We have a description from the mouth of Achilles of certain sacrifices,
as belonging to the worship of Scamander[312]:
[312] Il. xxi. 130-2.
οὐδ’ ὑμῖν ποταμός περ ἐΰῤῥοος ἀργυροδίνης
ἀρκέσει, ᾧ δὴ δηθὰ πολέας ἱερεύετε ταύρους,
ζωοὺς δ’ ἐν δίνῃσι καθίετε μώνυχας ἵππους.
This offering of live horses is peculiar, and unlike anything else
represented to us in the Homeric poems. Not only the youths, but even
the dogs, whom Achilles offers to the Shade of Patroclus, are slain
before they are cast into the fire. The same thing is not mentioned
with respect to the four horses, who are also among the victims; but
it is probably, even from the physical necessities of the case, to be
presumed.
It may, perhaps, be argued, that this speech of Achilles partakes
of the nature of a sarcasm. The fine Trojan horses were reared and
pastured on the river banks; taunts often pass between the warriors of
the two sides: the δὴ δηθὰ may have had the force of _forsooth_. Some
doubt may attach to the evidence, which the passage gives, on this
ground; and also from the singularity of the practice that is imputed.
It is, on the whole, however, safest to assume that it is trustworthy.
The case will then stand thus; that we have apparently one single case
in Troy of a pure local impersonation of a power belonging to external
nature. Now this might happen under peculiar circumstances, and yet a
very broad distinction might subsist between the religion of the two
nations as to imaginative development.
Public-domain text, read in full here on John Shaqi.
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