Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
οἱ δ’ ἄλλοι ἀκὴν ἴσαν, οὐδέ κε φαίης
τόσσον λαὸν ἕπεσθαι ἔχοντ’ ἐν στήθεσιν αὐδὴν,
σιγῇ δειδιότες σημάντορας·
but from the Trojans there arose a sound, like that of sheep bleating
for their lambs[513]:
[513] Ibid. 436.
ὣς Τρώων ἀλαλητὸς ἀνὰ στρατὸν εὐρὺν ὀρώρει.
And, again, we find the relation of the burning of the dead given with
the usual consistency of the Poet. The men of the two armies met: and
on both sides they shed tears as they lifted their lifeless comrades on
the wagons: but, he adds, there was silence among the Trojans,
οὐδ’ εἴα κλαίειν Πρίαμος μέγας·
and it was because the king had felt that there would be indecency in a
noisy show of sorrow: while the Greeks needed not the injunction (Il.
vii. 426-32), from their spontaneous self-command.
When the Poet speaks of the Trojan Assembly in the Seventh Book as
δεινὴ τετρηχυῖα, he evidently means to describe an excitement tending
to disorder: and one contrasted in a remarkable manner with the
discipline of the Greeks, who were summoned to meet silently in the
night, that they might not, in gathering, arouse the enemy outside the
ramparts. Even in their respective modes of expressing approbation,
Homer makes a shade of difference. When the Greeks applaud, it is
ἐπίαχον υἷες Ἀχαιῶν, or what we call loud or vehement cheering: but
when the Trojans, it is ἐπὶ δὲ Τρῶες κελάδησαν, which signifies a more
miscellaneous and tumultuous noise.
In short, it would appear to be the intention of Homer to represent
the Greeks as possessed of a higher intelligence throughout. In the
Odyssey, we find that Ulysses made his way into Troy disguised as
a beggar, communicated with Helen, duly informed himself (κατὰ δὲ
φρόνιν ἤγαγε πολλήν[514]), and contrived to despatch certain of the
Trojans before he departed. In the Iliad we are supplied with abundant
instances of the superior management of the Greeks, and likewise of
their auxiliary gods, in comparison with those of the Trojans. Juno
outwits Venus in obtaining from her the cestus, and then proceeds
to outwit Jupiter in the use of it. Minerva, on observing that the
Greeks are losing, (Il. vii. 17) betakes herself to Troy, where Apollo
proposes just what she wants, namely, a cessation of the general
engagement, with a view to a personal encounter between Hector and some
chosen chieftain: she immediately adopts the plan; and he causes it to
be executed through Helenus. It both stops the general havoc among the
Greeks, and redounds greatly to the honour of their champion Ajax. At
the end of the day, however, Nestor suggests to the Greek chiefs, on
account of their heavy losses (Il. vii. 328), that they should, on the
occasion of raising a mound over their dead, likewise dig and fortify
a trench, which might serve to defend the ships and camp. In the mean
time the Trojans are made to meet; and they send to propose the very
measure, namely, an armistice for funeral rites, which the Greeks
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