Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
But the boldness and maturity of navigation may be measured pretty
nearly by the length of its voyages. The geographical particulars of
the Wanderings, however dislocated and distorted, show us that the
people who had supplied them had acquired a considerable acquaintance
with all the waters within, and probably also, nay, I should be
disposed to say certainly, some that were without, the Straits of
Gibraltar. But in all the poems of Homer we find the traces of Greek
knowledge and resort become fainter and fainter, as we pass beyond
certain points. On the Greek Peninsula, to the south of the Ambracian
gulf on the west and of Mount Olympus on the east, we have the signs
of a constant intercourse to and fro. The same tokens extend to the
islands immediately surrounding it, and reaching at least as far as
Crete. Indeed, apart from particular signs, we may say that, without
familiar and frequent intercourse among the members that composed it,
the empire of Agamemnon could not have subsisted.
But, at certain distances, the mode of geographical handling becomes
faint, mistrustful, and indistinct. Distances are misstated, or cease
to be stated at all. The names of countries are massed together in such
a way as to show that the Poet had no idea of a particular mode of
juxtaposition for them. Topographical or local features, of a character
such as to identify a description with some particular place or
region as its prototype in nature, are erroneously transposed to some
situation which, from general indications, we can see must be upon a
different and perhaps distant part of the surface of the globe. Again,
by ceasing to define distances and directions, he shows from time to
time that he has lost confidence in his own collocation, that he is
not willing to challenge a comparison with actual nature, and that,
from want of accurate knowledge, he feels he must seek some degree of
shelter in generalities.
It is obvious that, under the circumstances as they have thus far been
delineated, the geography of the poems, with a centre fixed for it
somewhere in Greece, say at Olympus or Mycenæ, might be first of all
divided into three zones, ranging around that centre. The first and
innermost would be that of the familiar knowledge and experience of
his countrymen. The second would be that of their rare and occasional
resort. The third would be a region wholly unknown to them, and with
respect to which they were wholly dependent on foreign, that is on
Phœnician, report; much as a Roman, five hundred years ago, would
practically depend upon the reports of Venetians and Genoese mariners
for all or nearly all his ultra-marine knowledge.
Public-domain text, read in full here on John Shaqi.
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