Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
But, of all the winds, the Zephyr evidently was the most prominent in
the view of Homer. It is μέγας (Od. xiv. 458), λαβρὸς ἐπαιγίζων (Il.
ii. 148), κελαδεινὸς (Il. xxiii. 208), δυσαὴς (Il. xxiii. 200, and Od.
xii. 289), κεκληγὼς (Od. xii. 408); and it alone of the winds roars,
ζεφύροιο ἰώη (Il. iv. 276). In Od. xii. 289, it is mentioned with
Notus: they are the winds most apt to destroy ships even despite or
without the gods. For Notus, as I have said, this character seems to
be local: but the Zephyr is here called δυσαὴς, and the sense of the
passage is in accordance with his general reputation. He, with Boreas,
is invoked for the pyre of Patroclus: and these two are the only winds
which are ever employed singly to make foul weather. Homer’s other
modes of creating a tempest by the agency of the winds are (1) to make
a combination of all or several of them, (2) to cover the matter in a
generality by speaking of the ὀλοοὶ ἄνεμοι without distinction.
There is, however, in Homer a faint trace of the milder character,
which was afterwards more fully recognised in Zephyr, when he had moved
down from the north, and become a simple west wind. In the description
of the Elysian plain, we find that it is never vexed with tempest or
with rain, but that the happy spirits dwelling there are incessantly
refreshed with the Zephyrs which spring from Ocean[552]. But even here
the breezes are λιγυπνείοντες: and this word means what is called
blowing _fresh_. And the conception of the wind here is rather as a
sea-wind, and therefore not a cold one, than as being soft and gentle.
[552] Od. iv. 565-9.
Of these four Winds, Homer has made, on various occasions, two couples.
He repeatedly associates Boreas and Zephyr in the same work[553]:
[553] Il. ix. 4.
ὡς δ’ ἄνεμοι δύο πόντον ὀρίνετον ἰχθυόεντα,
Βορέης καὶ Ζέφυρος, τώτε Θρῄκηθεν ἄητον.
And again, for the purposes of Achilles, the two come together over the
sea, and quickly fall to, that the pyre may be consumed; even as the
prayer of the hero had been addressed to them in common[554].
[554] Il. xxiii. 194, 212.
In the same way, Eurus and Notus are associated together as exciting
the Icarian Sea. This passage is curiously illustrative of Homer’s
distinctions between the winds. He has two successive similes, both
describing the agitation of the same Assembly[555]. In the first it is
compared to the Icarian Sea lashed by Eurus, and by Notus charging from
the clouds. In the second, to a corn-field, on which Zephyr powerfully
sweeps down[556].
[555] Il. ii. 144-6, 147-9.
[556] The arrangement of these similes tells powerfully against the
ingenious argument of Mr. Wood concerning the birthplace of Homer.
Genius of Homer, pp. 7-33.
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