Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
I could not, however, accommodate myself to this passage at such a
cost as that of oversetting an interpretation of the general scheme,
which is so deeply rooted both in the letter and spirit of the poem,
as is the eastern, and likewise somewhat north-eastern, hypothesis
for Ææa, together with a northern site for Ogygia. These two, it may
be observed, stand together. It is plain, from the times occupied by
the several stages between Ææa and Ogygia, and from the language used
where no precise time is stated, that the Poet conceived the distance
between them to be limited, though very considerable. And indeed the
north-western hypothesis for Ææa would do nothing for the passage I
have quoted, unless we also carry Ogygia into the north-west, in order
that Ulysses, on his way home from it, may have Arctus on his left.
Inasmuch, however, as the admission of the received sense for the lines
would involve us in a new series of the most complicated and hopeless
contradictions, we must look for relief in some other direction.
~_On the genuineness of the passage._~
I desire to eschew, as a general rule, the dangerous and seductive
practice of questioning the genuineness of the text because it seems to
stand in conflict with a favoured interpretation. I may however state,
without unduly relying on them, one or two particulars which, drawn
from the poem itself, may show that these two lines are not unjustly
open to the suspicion of interpolation.
1. The two lines are wholly void of any necessary connection with what
precedes and follows them, and the text is complete without them.
We should not break up the passage generally by removing them. This
argument, however, is one purely negative.
Public-domain text, read in full here on John Shaqi.
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