Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
It is indeed true that the vague accounts, which had probably reached
Homer of these two waters, must be supposed not to have included the
indispensable element of a current. The same remark, however, will
apply to whatever he may have heard of the German or Atlantic Oceans.
But in dealing with these shadowy distances, his inference would be
amply warranted, without the means of complete identification, if he
had heard of any waters in positions agreeing with that of his ideal
Ocean, capable of communicating easily with its mouth, and, above all,
independent of the _Thalassa_.
One word before we finally quit the subject of the enchanted River; in
order to complete the chain of connection between the Persephone of
Homer and the waters of the Persian gulf, in the character of a part of
Ocean, at that point upon the beach, which so well balances the Elysian
plain in the west.
I have already endeavoured to make use of the names Perseus, Perse,
and Persephone, as evidences which attach the Persians to the eastern
extremity of Homer’s ideal world, and which connect the Greek race
with a Persian origin. But here we have a geographical trait, which
deserves further consideration. The groves of Persephone are on the
shore of Ocean, in the east, and to the south of the sunrise. What is
the meaning of these groves? We are compelled, by unvarying analogies
of signification, to understand them as both the symbols and the sites
of a certain organized worship, which was paid to Persephone. But if
paid, then paid by whom? Certainly not by the nations of the dead: for
the place, where these groves were, was not within the kingdom of the
goddess, but it was on the shore of Ocean. Ulysses, too, was to haul up
his ship there, and only then to enter into the abode of king Aidoneus.
It therefore seems to follow, that the Poet meant us to understand this
as a place where Persephone was habitually worshipped by a portion of
the human race, which could only be his Persians or his Ethiopians. I
do not say that the two were sharply severed in his mind; but here the
race to which he chiefly points appears to be the Persian race[647].
[647] Od. x. 508-12.
There are even etymological signs, independent of Homer, which deepen
the association between the East and the Under-world. Some writers
have compared the name Cimmeria with the Arabic word _kahm_, black,
and _ra_, the mark of the oblique case in Persian: Mæotis with the
Hebrew Maweth, meaning death: and have treated the ancient Tartarus as
equivalent to the modern Tartary, and as formed by the reduplication of
Tar, in Tarik, the Persic word for darkness[648].
[648] Welsford on Engl. Language, pp. 75, 76, 88. Bleek’s Persian
Vocabulary, (Grammar, p. 170.)
~_Contraction of the Homeric East._~
Next let me wind up what relates to the contraction and compression of
the Homeric East.
Public-domain text, read in full here on John Shaqi.
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