Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
The Homeric ἐπὶ δεξιὰ and ἐπ’ ἀριστερὰ are also quoted as examples of
this last-named sense. But in Od. v. 277, if the meaning be _on_ the
left, it is plainly quite beyond these definitions: for so far from
being an object extended over space, the star is, as it appears on the
left, a luminous point, and nothing more. It was an extension over
space, such as the eye has from a window over a prospect; but then
that space is the space which lies over-against the star; so that if
the space be on the left, the star must be looking towards the left
indeed, but for that very reason set on the right. The difference here
is most important in connection with the sense of the preposition. If
ἐπ’ ἀριστερὰ means _on_ the left, it is only on a single point of the
left; if it means towards or over-against the right, it means towards
or over-against the whole right. Now, the former of these senses is, I
contend, utterly out of keeping with the whole Homeric use of ἐπὶ as
a preposition governing the accusative: while the latter is quite in
keeping with it.
~_Force of ἐπὶ with ἀριστερά._~
The idea of motion, physical or metaphysical, in some one or other of
its modifications, appears to inhere essentially in the Homeric use
of ἐπὶ with the accusative. In the great majority of instances, it is
used with a verb of motion, which places the matter beyond all doubt.
In almost all other instances, either the motion of a body, or some
covering of space where there is no motion, are obviously involved.
Thus the Zephyr (κελάδει[666]) whistles ἐπὶ οἴνοπα πόντον. A hero, or
a bevy of maidens, may shout ἐπὶ μακρόν[667]. The rim of a basket is
covered with a plating of gold, χρυσῷ δ’ ἐπὶ χείλεα κεκράαντο: that
is, the gold is drawn over it[668]. Achilles looks[669] ἐπὶ οἴνοπα
πόντον. The sun appears to mortals ἐπὶ ζείδωρον ἄρουραν[670]. Here we
should apparently understand ‘spread,’ or some equivalent word. We have
‘animals as many as are born’ ἐπὶ γαῖαν[671]. Or, again, we have ‘may
his glory be’ (spread) ἐπὶ ζείδωρον ἄρουραν[672]. Again: ἐπὶ δηρὸν δέ
μοι αἰὼν ἔσσεται is, ‘I shall live long[673].’ And Achilles seated
himself θῖν’ ἐφ’ ἁλὸς πολιῆς[674]. A dragon with a purple back is[675]
ἐπὶ νῶτα δάφοινος. The shoulders of Thersites, compressed against his
chest, are, ἐπὶ στῆθος συνοχωκότε[676]. The horses of Admetus stand
even with the rod across their backs[677], σταφύλῃ ἐπὶ νῶτον ἐΐσας. I
have not confined these examples to merely local cases, because a more
varied illustration, I think, here enlarges our means of judgment.
In every case, it appears, we may assert that extension, whether in
time or space, is implied; and the proper word to construe ἐπὶ (except
with certain verbs of motion, as, ‘he fell on,’ and the like) will be
over, along, across, or over-against. Further, we have in Il. vi. 400,
according to one reading, the preposition ἐπὶ combined with the verb
ἔχειν, and governing the accusative. Andromache appears,
[666] Od. ii. 421.
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