Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
‘To’ and not ‘on’ is the essential characteristic of the Homeric ἐπὶ
with the accusative. Accordingly, where ἐπὶ is so used with the words
δεξιὰ or ἀριστερὰ, we may often understand an original position of the
person or thing intended, generally opposite to the point or quarter
expressed. In such a case as εὗρεν ... μάχης ἐπ’ ἀριστερὰ we should
join ἐπ’ ἀριστερὰ with the subject of εὗρεν, and not with its object.
Not A found B on the left, but A (coming) towards the left found B
(there). Again, in Il. xiii. 675, νηῶν ἐπ’ ἀριστερὰ should, I submit,
be construed _towards_ the left, or in the direction of the left.
Now, while there is not a single passage in Homer that refuses to bear
a construction founded on these principles, an examination of a variety
of passages will, I believe, supply us with instances to show, that
there is no other consistent mode of rendering the phrases ἀστράπτειν
ἐπιδέξια; ἐέργειν ἐπ’ ἀριστερά; οἰνοχόειν, αἰτεῖν, δεικνύναι, ἐνδέξια;
ἀριστερὸς ὄρνις, δεξιὸν ἐρώδιον, and others.
And although in some of these phrases the idea of motion is actually
included, while the motion of omens was the original groundwork of them
all, yet, as frequently happens, the effect remains when the cause has
disappeared. A bird called δεξιὸς is one moving ἐπὶ δεξιά; and this,
according to the law of omens, is _usually_ a bird from the left moving
towards the right. And thus, by analogy, a star ἐπ’ ἀριστερὰ is a star
on the right not moving but looking towards the left. Once more, when
we recollect that ἐπ’ ἀριστερὰ habitually or very frequently means on
the right as well as moving towards the left, it is not difficult to
conceive so easy and simple a modification of this sense as brings it
to being on the right, while also looking, instead of moving, towards
the left. Lightning, which had appeared on the right, would I apprehend
be ἀστραπὴ ἐπ’ ἀριστερά: Ἀρκτὸς ἐπ’ ἀριστερὰ would be ‘Arctus on the
right;’ and the introduction of the word ἔχειν cannot surely reverse
the signification.
In later Greek, the expressions ἐνδέξια and ἐπιδέξια, with ἐπαριστερὰ,
which seems to be the counterpart of both, the preposition ἐπὶ
sometimes being divided from and sometimes united with its case, appear
to be equivalent to our English phrases ‘on the right,’ and ‘on the
left.’ But not so in Homer.
~_Illustrated from Il._ ii. 353. _Od._ xxi. 141.~
Let us now examine various places of the poems, where ἐνδέξια and
ἐπὶ δεξιὰ (single or combined) cannot mean on the right, but may be
rendered either (1) from the left, or (2) towards the right. Thus we
have, Il. ii. 353,
ἀστράπτων ἐπιδέξι’, ἐναίσιμα σήματα φαίνων.
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