Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
Thus far, then, we surely have no pretext for saying that Homer has
departed from the purpose of his poem, of which the man Achilles is the
centre and animating principle, and his Wrath with its terrible effects
the theme. These effects are now developed up to a certain point: not
such a point as really to endanger the army, or excite strong sympathy
or apprehension on its behalf, but yet such a point as entirely to tame
the irresolute egotism of Agamemnon, and drive his but half-masculine
character into efforts again to lay hold upon the prop, which he had so
rashly and lightly, as well as selfishly and unjustly, put away.
If we were to consider Achilles as engaged in a mere personal quarrel,
we must condemn him, without any qualification whatever, for not
accepting the reparation now tendered by Agamemnon. But if we bear in
mind that the wrong done was a public wrong, that no confession of this
wrong was made, that the other kings and leaders, and the whole army,
became in some degree parties to it by their acquiescence, and that he
was thus as much or more the vindicator of great public rights than
the mere avenger of a personal offence, it is not so clear that the
conduct of Achilles after the mission of the Ninth Book is incapable
in principle of justification, according to the moral code of Greece.
It must, however, undoubtedly remain amenable to severe censure on the
score of excess: a culpability, for the penal notice of which Homer has
made abundant provision in the sequel of the poem.
But this question is by the way: the main issue raised is as to the
poetical consistency and effect of the structure, which Homer has
chosen for his work. Upon this there is surely little room for doubt.
From the Ninth Book we commence afresh: Achilles in his moody
seclusion, the Greeks in a manful determination to do their best; even
Agamemnon is now roused to feel what he has brought upon the army,
thrown back from his moral irresolution as a chief upon his personal
courage as a soldier, and resolved to appear in the field, that he too
may earn his laurels there.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account