Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
Even with Agamemnon Hector is admonished, on the part of Jupiter,
not to contend: and he follows the advice. Of the Trojan chiefs who
really fight, a large proportion are slain; Glaucus, Æneas, Deiphobus,
and Polydamas are the most considerable who survive. No eminent
Trojan in fact is ever allowed to display real heroism, except under
circumstances where the issue is quite hopeless: accordingly Homer has
never surrounded Hector with true heroic grandeur, in deed as well
as word, until his final battle against Achilles, when he is at last
brought to bay, and when his doom is certain. All the considerable
injuries inflicted upon great Greek chieftains are from causes not
implying personal prowess in their rivals: from the arrows of Pandarus
or of Paris, or by the chance hit of some insignificant, or at the
least secondary, but desperate Trojan, such as Socus, or such as Coon,
struck even as he is himself receiving or about to receive his own
death-blow[728]. But for these ignoble wounds, which were inflicted
on many chiefs, including three prime heroes, Agamemnon, Diomed, and
Ulysses, the Greeks, according to the agency of the poem as it stands,
never would have been driven back upon their ships at all.
[728] Il. xi. 252, 437.
~_Conflicting exigencies of the plan._~
Now Homer’s difficulty in this matter was not simply that which has
been heretofore pointed out, or which has been commonly supposed. His
aim, says Heyne[729], in representing the disasters of the Greeks is,
_ut per eas Achillis virtus insigniatur, quippe quâ destituti Achivi
succumbunt, eâdem redditâ vincunt_. But this is surely a misstatement
of the case. Homer has not represented the Greeks _plus_ Achilles as
superior to the Trojans, and the Greeks _minus_ Achilles as inferior
to them. This was what a vulgar artist, whose mind could only hold
one idea at a time, would have done; nay, what it was difficult to
avoid doing, for it was vital to Homer’s purpose that the vengeance of
Achilles should be completely satiated: it was not to be thought of
that this transcendent character, this ideal hero, should be balked by
man of woman born; the whole web of the Poet’s thought would have been
rent across, had there been failure in such a point. What was needful
in this view could only be accomplished by the extremest calamities of
the Greeks. These calamities he had to bring about, and yet to give to
the Greeks a real superiority of military virtue. We have seen already
how he effected the latter: how did he manage the former? Partly by
giving Achilles, in right of his mother Thetis, such an interest in
the courts of heaven, as to throw a preponderating divine agency for
the time on the side of the Trojans; partly by a skilful use of the
chances of war, in assigning to Troy a superiority in the comparatively
ignoble skill (as it was then used) of the bow. Thus he causes the
Greeks to be worsted, notwithstanding their superiority: by their being
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