Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
And this leads me to the second of the two illustrations, to which
reference has been made. That loss of definiteness in the conception of
number, which the child in our day suffers before he has counted over
his fingers, the grown man suffers also, though at a point commonly
much higher in the scale. What point that may be, depends very much
upon the particular habits and aptitudes of the individual. A student
in a library of a thousand volumes, an officer before his regiment of a
thousand men upon parade, may have a pretty clear idea of the units as
well as of the totals; but when we come to a thousand times a thousand,
or a thousand times a million, all view of the units, for most men,
probably for every man, is lost: the million for the grown man is in
a great degree like the hundred for the child. The numerical term has
now become essentially a symbol; not only as every word is by its
essence a symbol in reference to the idea it immediately denotes; but,
in a further sense, it is a symbol of a symbol, for that idea which
it denotes, is itself symbolical: it is a conventional representation
of a certain vast number of units, far too great to be individually
contemplated and apprehended. As we rise higher still from millions,
say for example, into the class of billions, the vagueness increases.
The million is now become a sort of new unit, and the relation of two
millions to one million, is thus pretty clearly apprehended as being
double; but this too becomes obscured as we mount, and even (for
example) the relation of quantity between ten billions of wheat-corns,
and an hundred billions of the same, is far less determinately conveyed
to the mind, than the relation between ten wheat-corns and one. At this
high level, the nouns of number approximate to the indefinite character
of the class of algebraic symbols called known quantities.
In proportion as our conception of numbers is definite, the idea of
them, instead of being suited for an address to the imagination,
remains unsuited for poetic handling, and thrives within the sphere
of the understanding only. But when we pass beyond the scale of
determinate into that of practically indeterminate amounts, then the
use of numbers becomes highly poetical. I would quote, as a very noble
example of this use of number, a verse in the Revelations of St. John.
‘And I beheld, and I heard the voice of many angels round about the
throne, and the beasts and the elders: and the number of them was ten
thousand times ten thousand, and thousands of thousands[790].’ As a
proof of the power of this fine passage, I would observe, that the
descent from ten thousand times ten thousand to thousands of thousands,
though it is in fact numerically very great, has none of the chilling
effect of anticlimax, because these numbers are not arithmetically
conceived, and the last member of the sentence is simply, so to speak,
the trail of light which the former draws behind it.
[790] Rev. v. 11.
Public-domain text, read in full here on John Shaqi.
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