Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
for the first words would suggest, that they knew how to value the
liberty of thought, which had been abused, disgraced, and consequently
restrained, in his person. Surely it would be most precipitate to
conclude, from a case like this, that the debates of the Assemblies
were formal, and that they had nothing to do but to listen to a sham
discussion, and to register or follow decrees which were substantially
those of Agamemnon only.
I believe that the mistake involved in the judgment we have been
canvassing is a double one: a mistake of the relation of Agamemnon
to the other kings and chiefs; and a mistake of the relation of the
sovereigns generally to their subjects. Agamemnon was strong in
influence and authority, but he had, as we have already seen, nothing
like a despotic control over the other kings. The kings were strong
in personal ability, in high descent, in the sanction of Jupiter, in
possession, and in tradition: but all their strength, great as it was,
lay as a general rule in the direction of influence, and not in that of
violence.
I do not think, however, that we ought to be contented with the merely
negative mode of treatment for the case of Thersites. I cannot but
conceive that, upon an impartial review, it may teach more, than is
drawn from it by merely saying that it does not prove the Assembly to
have been an illusion. We must assume that Homer’s picture, if not
historical, at least conformed to the laws of probability. Now, what is
the picture? That the buffoon of the army, wholly without influence,
capable of attracting no respect, when the mass of the people had
overcome their homeward impulse, had returned to the Assembly, and
were awaiting the proposition of the kings, first continues to rail
(ἐκολῴα) while every one else is silent, and then takes upon himself
the initiative in recommending the resumption of the project, which
they had that moment abandoned. If such conduct could be ascribed by
the Poet to a creature sharp-witted enough, and as careful as others of
his own back, does not the very fact presuppose that freedom of debate
was a thing in principle at least known and familiar?
~_Agorè on the Shield in Il._ xviii.~
In the scene depicted on the Shield of Achilles, new evidence is
afforded us that the people took a real part in the conduct of public
affairs. The people are in Assembly. A suit is in progress. The matter
is one of homicide; and the guilty person declares that he has paid the
proper fine, while his antagonist avers that he has not received it.
Each presses for a judicial decision. The people sympathizing, some
with one, and some with the other, cheer them on.
Λαοὶ δ’ ἀμφοτέροισιν ἐπήπυον, ἀμφὶς ἀρωγοί·
κήρυκες δ’ ἄρα λαὸν ἐρήτυον[251].
[251] Il. xviii. 502.
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