Domestic fiction; Short stories; Suburban life -- Fiction
The people who are thus indecorously huddled and jammed together,
without regard to age or sex, otherwise lead lives of at least comfort,
and a good half of them cherish themselves in every physical way with
unparalleled zeal. They are handsomely clothed; they are delicately neat
in linen; they eat well, or, if not well, as well as their cooks
will let them, and at all events expensively; they house in dwellings
appointed in a manner undreamt of elsewhere in the world,--dwellings
wherein furnaces make a summer-heat, where fountains of hot and cold
water flow at a touch, where light is created or quenched by the turning
of a key, where all is luxurious upholstery, and magical ministry to
real or fancied needs. They carry the same tastes with them to their
places of business; and when they “attend divine service,” it is with
the understanding that God is to receive them in a richly carpeted
house, deliciously warmed and perfectly ventilated, where they may
adore Him at their ease upon cushioned seats,--secured seats. Yet these
spoiled children of comfort, when they ride to or from business or
church, fail to assert rights that the benighted Cockney, who never
heard of our plumbing and registers, or even the oppressed Parisian,
who is believed not to change his linen from one revolution to another,
having paid for, enjoys. When they enter the “full” horse-car, they find
themselves in a place inexorable as the grave to their greenbacks, where
not only is their adventitious consequence stripped from them, but the
courtesies of life are impossible, the inherent dignity of the person is
denied, and they are reduced below the level of the most uncomfortable
nations of the Old World. The philosopher accustomed to draw consolation
from the sufferings of his richer fellow-men, and to infer an overruling
Providence from their disgraces, might well bless Heaven for the
spectacle of such degradation, if his thanksgiving were not prevented
by his knowledge that this is quite voluntary. And now consider that
on every car leaving the city at this time the scene is much the same;
reflect that the horror is enacting, not only in Boston, but in New
York, Philadelphia, Baltimore, St. Louis, Chicago, Cincinnati,--wherever
the horse-car, that tinkles well-nigh round the Continent, is known;
remember that the same victims are thus daily sacrificed, without an
effort to right themselves: and then you will begin to realize--dimly
and imperfectly, of course--the unfathomable meekness of the American
character. The “full” horse-car is a prodigy whose likeness is
absolutely unknown elsewhere, since the Neapolitan gig went out; and I
suppose it will be incredible to the future in our own country. When I
see such a horse-car as I have sketched move away from its station, I
feel that it is something not only emblematic and interpretative,
but monumental; and I know that when art becomes truly national, the
overloaded horse-car will be celebrated in painting and sculpture.
Public-domain text, read in full here on John Shaqi.
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