Domestic fiction; Short stories; Suburban life -- Fiction
Among the people who now rush forward and heap themselves into the
two horse-cars and one omnibus, placed before the depot by a wise
forethought for the public comfort to accommodate the train-load of
two hundred passengers, I always note a type that is both pleasing
and interesting to me. It is a lady just passing middle life; from her
kindly eyes the envious crow, whose footprints are just traceable at
their corners, has not yet drunk the brightness, but she looks just a
thought sadly, if very serenely, from them. I know nothing in the world
of her; I may have seen her twice or a hundred times, but I must always
be making bits of romances about her. That is she in faultless gray,
with the neat leather bag in her lap, and a bouquet of the first
autumnal blooms perched in her shapely hands which are prettily yet
substantially gloved in some sort of gauntlets. She can be easy and
dignified, my dear middle-aged heroine, even in one of our horse-cars,
where people are for the most part packed like cattle in a pen. She
shows no trace of dust or fatigue from the thirty or forty miles which I
choose to fancy she has ridden from the handsome elm-shaded New England
town of five or ten thousand people, where I choose to think she lives.
From a vague horticultural association with those gauntlets, as well
as from the autumnal blooms, I take it she loves flowers, and gardens a
good deal with her own hands, and keeps house-plants in the winter, and
of course a canary. Her dress, neither rich nor vulgar, makes me believe
her fortunes modest and not recent; her gentle face has just so much
intellectual character as it is good to see in a woman's face; I suspect
that she reads pretty regularly the new poems and histories, and I know
that she is the life and soul of the local book-club. Is she married, or
widowed, or one of the superfluous forty thousand? That is what I never
can tell. But I think that most probably she is married, and that her
husband is very much in business, and does not share so much as he
respects her tastes. I have no particular reason for thinking that she
has no children now, and that the sorrow for the one she lost so long
ago has become only a pensive silence, which, however, a long summer
twilight can yet deepen to tears.... Upon my word! Am I then one to give
way to this sort of thing? Madam, I ask pardon. I have no right to be
sentimentalizing you. Yet your face is one to make people dream kind
things of you, and I cannot keep my reveries away from it.
Public-domain text, read in full here on John Shaqi.
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