Domestic fiction; Short stories; Suburban life -- Fiction
“I say, friends! we can't stand this, you know,” says the anxious
father. “We must part some time, and this is a favorable moment. Now
I'll give you all this, if you don't come another step!” and he empties
out to them, from the hand-bags he carries, the fragments of lunch which
the frugal mind of Aunt Melissa had caused her to store there. Upon
these the whooping-coughers hurl themselves in a body, and are soon left
round the corner. Yet they would have been no disgrace to our party,
whose appearance was now most disreputable: Frank and Lucy stalked
ahead, with shawls dragging from their arms, the former loaded down
with hand-bags and the latter with India-rubbers; Aunt Melissa came next
under a burden of bloated umbrellas; the nurse last, with her hat awry,
and the baby a caricature of its morning trimness, in her embrace. A
day's pleasure is so demoralizing, that no party can stand it, and come
out neat and orderly.
[Illustration: “Frank and Lucy stalked ahead, with shawls dragging from
their arms.”]
“Cousin Frank,” asked Lucy, awfully, “what if we should meet the
Mayflowers now?”--the Mayflowers being a very ancient and noble Boston
family whose acquaintance was the great pride and terror of our friends'
lives.
“I should cut them dead,” said Frank, and scarcely spoke again till his
party dragged slowly up the steps of their minute suburban villa.
At the door his wife met them with a troubled and anxious face.
“Calamities?” asked Frank, desperately.
“O, calamities upon calamities! We've got a lost child in the kitchen,”
answered Mrs. Sallie.
“O good heavens!” cried her husband. “Adieu, my dreams of repose, so
desirable after the quantity of active enjoyment I've had! Well, where
is the lost child?”
III.--THE EVENING
“Where is the lost child?” repeats Frank, desperately. “Where have you
got him?”
“In the kitchen.”
“Why in the kitchen?”
“How's baby?” demands Mrs. Sallie, with the incoherent suddenness of
her sex, and running halfway down the steps to meet the nurse. “Um, um,
um-m-m-m,” sounds, which may stand for smothered kisses of rapture and
thanksgiving that baby is not a lost child. “Has he been good, Lucy?
Take him off and give him some cocoa, Mrs. O'Gonegal,” she adds in her
business-like way, and with a little push to the combined nurse and
baby, while Lucy answers, “O beautiful!” and from that moment, being
warned through all her being by something in the other's tone, casts
aside the matronly manner which she has worn during the day, and lapses
into the comfortable irresponsibility of young-ladyhood.
“What kind of a time did you have?”
“Splendid!” answers Lucy. “Delightful, _I_ think,” she adds, as if she
thought others might not think so.
“I suppose you found Gloucester a quaint old place.”
“O,” says Frank, “we didn't go to Gloucester; we found that the City
Fathers had chartered the boat for the day, so we thought we'd go to
Nahant.”
Public-domain text, read in full here on John Shaqi.
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