Banneker wondered whether the editorial rostrum, too, was fated to deliver its would-be authoritative message to an audience which threatened to dwindle to the vanishing point. Who read those carefully wrought columns in The Ledger? Pot-bellied chair-warmers in clubs; hastening business men appreciative of the daily assurance that stability is the primal and final blessing, discontent the cardinal sin, the extant system perfect and holy, and any change a wile of the forces of destruction--as if the human race had evoluted by the power of standing still! For the man in the street they held no message. No; nor for the woman in the home. Banneker thought of young Smith of the yacht and the coming millions, with a newspaper waiting to drop into his hands. He wished he could have that newspaper--any newspaper, for a year. He'd make the man in the street sit up and read his editorials. Yes, and the woman in the home. Why not the boy and the girl in school, also? Any writer, really master of his pen, ought to be able to make even a problem in algebra editorially interesting! And if he could make it interesting, he could make it pay.... But how was he to profit by all this hard work, this conscientious technical training to which he was devoting himself? True, it was improving his style. But for the purposes of Ledger reporting, he wrote quite well enough. Betterment here might be artistically satisfactory; financially it would be fruitless. Already his space bills were the largest, consistently, on the staff, due chiefly to his indefatigable industry in devoting every spare office hour to writing his "Eban" sketches, now paid at sixteen dollars a column, and Sunday "specials." He might push this up a little, but not much. From the magazine field, expectations were meager in the immediate sense. True, The Bon Vivant had accepted the story which The Era rejected; but it had paid only seventy-five dollars. Banneker did not care to go farther on that path. Aside from the unsatisfactory return, his fastidiousness revolted from being identified with the output of a third-class and flashy publication. Whatever The Ledger's shortcomings, it at least stood first in its field. But was there any future for him there, other than as a conspicuously well-paid reporter? In spite of the critical situation which his story of the Sippiac riots had brought about, he knew that he was safe as long as he wished to stay. "You're too valuable to lose," said Tommy Burt, swinging his pudgy legs over Banneker's desk, having finished one of his mirthful stories of a row between a wine agent and a theatrical manager over a doubly reserved table in a conspicuous restaurant. "Otherwise--phutt! But they'll be very careful what kind of assignments they hand over to your reckless hands in future. You mustn't throw expensive and brittle conventions at the editor's head. They smash." "And the fragments come back and cut. I know. But what does it all lead to, Tommy?"