Here, as in the old, jobless days, Banneker settled down to concentrated
and happy toil. Always a creature of Spartan self-discipline in the
matter of work, he took on, in this quiet and remote environment, new
energies. Miss Westlake, recipient of the output as it came from the
hard-driven pen, was secretly disquieted. Could any human being maintain
such a pace without collapse? Day after day, the devotee of the
third-floor-front rose at seven, breakfasted from a thermos bottle and a
tin box, and set upon his writing; lunched hastily around the corner,
returned with armfuls of newspapers which he skimmed as a preliminary to
a second long bout with his pen; allowed himself an hour for dinner, and
came back to resume the never-ending task. As in the days of the "Eban"
sketches, now on the press for book publication, it was write, rewrite,
and re-rewrite, the typed sheets coming back to Miss Westlake amended,
interlined, corrected, but always successively shortened and simplified.
Profitable, indeed, for the solicitous little typist; but she ventured,
after a fortnight of it, to remonstrate on the score of ordinary
prudence. Banneker laughed, though he was touched, too, by her interest.
"I'm indestructible," he assured her. "But next week I shall run around
outside a little."
"You must," she insisted.
"Field-work, I believe they call it. The Elysian Fields of Manhattan
Island. Perhaps you'll come with me sometimes and see that I attend
properly to my recreation."
Curiosity as well as a mere personal interest prompted her to accept.
She did not understand the purpose of these strange and vivid writings
committed to her hands, so different from any of the earlier of Mr.
Banneker's productions; so different, indeed, from anything that she had
hitherto seen in any print. Nor did she derive full enlightenment from
her Elysian journeys with the writer. They seemed to be casual if not
aimless. The pair traveled about on street-cars, L trains, Fifth Avenue
buses, dined in queer, crowded restaurants, drank in foreign-appearing
beer-halls, went to meetings, to Cooper Union forums, to the Art
Gallery, the Aquarium, the Museum of Natural History, to dances in
East-Side halls: and everywhere, by virtue of his easy and graceful
good-fellowship, Banneker picked up acquaintances, entered into their
discussions, listened to their opinions and solemn dicta, agreeing or
controverting with equal good-humor, and all, one might have carelessly
supposed, in the idlest spirit of a light-minded Haroun al Raschid.
"What is it all about, if you don't mind telling?" asked his companion
as he bade her good-night early one morning.
"To find what people naturally talk about," was the ready answer.
"And then?"
"To talk with them about what interests them. In print."
"Then it isn't Elysian-fielding at all."
"No. It's work. Hard work."
"And what do you do after it?"
"Oh, sit up and write for a while."
"You'll break down."
"Oh, no! It's good for me."
Public-domain text, read in full here on John Shaqi.
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