Children of the rich -- Fiction; Industrialists -- Fiction; Michigan -- Fiction; Political fiction
How was Jim to know this was an event in Marie Ducharme’s life? How was
he to know it was her first social invitation from a man whom she cared
to have as a companion, who was fitted by intelligence, by ideals, to be
her companion? How was he to know that she had never driven with a young
man as other country girls drive with neighboring boys? She was excited.
Something welled up inside her that made breathing difficult, but that
was delightful.
Jim, too, was young. His experience had not taught him how hard is the
problem of the girl in the village—how marriage looms before her as the
sole end to be desired, and how difficult is a suitable marriage to
attain. He did not know how many girls with brains, with ideals, with
ambitions, have, to escape spinsterhood and its dreariness, allowed
themselves to be married to bumpkins, whose sole recommendation was
their ability to provide support. Nor did he know how many such girls
wore out their souls and their hearts in bitterness through lengthening
years. Such a fate Marie Ducharme was determined to escape.
CHAPTER XV
Jim and Marie Ducharme took the north road out of Diversity. There were
eyes that saw them and tongues that wagged when they were gone. Many
supper-tables were supplied with a topic of conversation that had been
barren without.
“Some day,” said Jim, “I’m going to have a farm, and raise red pigs and
black cows and white chickens.”
“Horrors!” exclaimed Marie; but there was just a note of playfulness in
her voice, the first Jim ever had heard there. “Some day I’m going to
have an apartment in a hotel, where there’s a Hungarian orchestra at
dinner, and servants to answer pushbuttons, and taxicabs in front that
take you to theaters. And I’m going to raise—well, not pigs and cows
and chickens.”
“I shall come in off my farm twice a year to eat with you while the
orchestra plays and the pushbuttons buzz and the taxicabs click off
exorbitant miles on their meters as we go to those theaters. Pigs and
cows and chickens wear, they’re durable company; the other thing is too
heady for me. Like champagne once in a while. But one prefers water as a
steady diet.”
“I’ve only read about champagne,” she said, the sullen mask dropping
across her face for an instant.
“I’m going to have my farm near the lake,” he said, “so I can lie with
my back against a tree and watch it. It is a hundred different lakes
every day, and I’d like to get acquainted with all of them.”
“And I’d like to be aboard the most palatial steamer that floats, and
ride past you, on my way to great cities.”
“I’d be happiest,” he said.
“I’d be—most excited,” she replied.
“The most pitifully bored faces in the world are to be seen in Broadway
cafes after midnight.”
“But don’t you like to be where things are flashing? Where life is
moving so fast you can hardly follow it? Doesn’t it spell happiness for
you to be where a new thrill is always at hand for the asking?”
Public-domain text, read in full here on John Shaqi.
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