Suffered in vain : $b or, A plaything of fateClay, Bertha M.
General
Suffered in vain : $b or, A plaything of fate
Clay, Bertha M.
Dime novels; England -- Fiction; Inheritance and succession -- Fiction; Man-woman relationships -- Fiction; Popular literature
“Captain Desfrayne may be actuated by mean and cruel objects in
pursuing me, whom he has always treated in so abominable a manner--his
jealousy, his ill conduct, obliged me unwillingly to leave him, for I
desired to do my duty as a wife, though I did not love him. You and
he have, you say, listened to a story told by some man who asserts
that--that--that I was--that I was married to him. Plainly, why do you
and Captain Desfrayne lend yourselves to this infamous conspiracy? I do
not intend to tamely submit to robbery and insult, I can assure you.
Who is this man?”
“He is Captain Desfrayne’s valet,” said Frank Amberley, who had not
attempted even once to interrupt the long harangue with which he had
been favored.
“As I should have imagined,” said Madam Guiscardini, withering scorn
in her look and voice, a disdainful smile on her lips. “This man, whom
the world supposes to be a gentleman, because he wears the uniform of
an officer in the service of the King of England, puts his servant
forward to insult and harass me--will, perhaps, urge him to attack me
for money. You come to ask me--what?”
Frank Amberley, who had remained standing from the moment he entered
the room until now, slightly stooped, and, leaning forward, gazed
intently into the signora’s great, bold black eyes.
For some instants she bore this searching look; then her guilty eyes
sank, while the color flowed back to her pale face. Her hands clenched
with suppressed fury, and it was with difficulty she refrained from
giving way to a burst of rage. But she feared she might betray herself
by a word inadvertently spoken, and so remained silent.
“You know, Madam Guiscardini, that what I have asserted is perfectly
true,” said the young man sternly. “You, the wife of the Italian,
Leonardo Gilardoni, trapped my client into a marriage with you,
believing yourself safe because you had abstracted the evidence of your
first marriage. That evidence you did not dare to destroy--it still
exists.”
The signora raised her eyes, and looked at him in affright.
“What evidence?” she asked.
“The written register in the book belonging to the chapel in which your
brother married you to Gilardoni.”
“This is infamous. What do you hope by bullying me in this manner?”
exclaimed Madam Guiscardini.
“You asked what I wanted--why I had come. I will tell you: Before we
seek for your brother, the priest--the Padre Josef--I wish to know what
you have done with the registry-book?”
His keenly practised eye caught a swift glance at hers, gleaming like
an instantaneous flash.
With a strange misgiving that she was entirely betrayed--that possibly
Finette or some other servant had watched her, unseen, and reported
her secret doings--she glanced for a second at a tall cabinet standing
in a corner of the room, near the pianoforte--a curious old piece of
eighteenth-century furniture, inlaid with paintings on enamel.
Frank Amberley lowered his gaze, and appeared simply to wait for an
answer.
Public-domain text, read in full here on John Shaqi.
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