"I like the city in many respects better," said William; "so much better, that I prefer living there nine months in the year. But give me the country in the summer. In night dreams and day dreams, I return to the old homestead, to renew my youth, and refresh my sympathies and tastes. I think of the pride of the summer landscapes; and the pomp of summer sunsets. I sit in the shade of my old favorite trees and woods; I bathe my heart once more in the moonlight; my ears seem to tell me again of all the melodies of morning; the babbling brook; the lowing herd; the cowbell's simple chime; the murmur of bees and insects; the choral concerts that ring through the woods; and I am there, young and blooming as ever, and what Beattie's 'Minstrel' saw and heard, I seem to see and hear once more." "I know not how it may be in cities," said the Squire; "but I have often noticed in our villages, that the countryman gets laughed at for his greenness. This never disturbed me. I have felt that we were inferior to none of their village bloods. Better be green on the surface than rotten at the core. And I have remembered how many great men of the world were bred in the country." "The cities are often guilty of the same," said William, "forgetting how many angels they entertain unawares. Did ever a mortal man look more of the rustic clown than the country boy, Sam Johnson, when he first went to London? And could he not make dictionaries, and write Rasselas?" "And who can imagine a more ludicrous object," asked the Squire, "than shabby, and chubby, and warty little Oliver Goldsmith, when he first waddled, staring and gaping, through Green-Arbor Court, and up Fishstreet Hill? And has he not given us prose and poetry that will live as long as the English tongue is known?" "We might have laughed at Shakspeare," added William, "when, a green country runaway, he first entered the metropolis; we might have laughed at Dryden, coming up from the provinces in his coarse Norwich drugget and wooden shoes--over thirty years old, and not yet aware that he could write a line of verse. But for all that, did not Shakspeare write Hamlet? and Dryden give laws and models for English heroic verse?" "And some might have thanked the Dumfries gentry for putting the rustic Burns in the kitchen with the servants to eat," added the Squire; "but did not Burns make a song there, to shame his proud insulters; and did he not sing-- 'A man's a man for a' that.' The temptations of the city are the most that I should fear."