Sun Tzŭ on the Art of War: The Oldest Military Treatise in the WorldSunzi, active 6th century B.C.
Philosophy
Sun Tzŭ on the Art of War: The Oldest Military Treatise in the World
Sunzi, active 6th century B.C.
Military art and science -- Early works to 1800; War -- Early works to 1800
Alas for these brave words! The long feud between the two states
ended in 473 B.C. with the total defeat of Wu by 勾踐 Kou Chien and
its incorporation in Yüeh. This was doubtless long after Sun Tzŭ’s
death. With his present assertion compare IV. § 4: 勝可知而不可爲
(which is the obviously mistaken reading of the _Yü Lan_ here).
Chang Yü is the only one to point out the seeming discrepancy,
which he thus goes on to explain: “In the chapter on Tactical
Dispositions it is said, ‘One may _know_ how to conquer without
being able to _do_ it,’ whereas here we have the statement that
‘victory can be achieved.’ The explanation is, that in the former
chapter, where the offensive and defensive are under discussion,
it is said that if the enemy is fully prepared, one cannot make
certain of beating him. But the present passage refers
particularly to the soldiers of Yüeh who, according to Sun Tzŭ’s
calculations, will be kept in ignorance of the time and place of
the impending struggle. That is why he says here that victory can
be achieved.”
22. 敵雖衆可使無鬥故策之而知得失之計
Though the enemy be stronger in numbers, we may prevent him from
fighting.
Capt. Calthrop quite unwarrantably translates: “_If_ the enemy be
many in number, prevent him,” etc.
Scheme so as to discover his plans and the likelihood of
their success.
This is the first of four similarly constructed sentences, all of
which present decided difficulties. Chang Yü explains 知得失之計 as
知其計之得失. This is perhaps the best way of taking the words,
though Chia Lin, referring 計 to ourselves and not the enemy,
offers the alternative of 我得彼失之計皆先知也 “Know beforehand all
plans conducive to our success and to the enemy’s failure.”
23. 作之而知動靜之理形之而知死生之地
Rouse him, and learn the principle of his activity or inactivity.
Instead of 作, the _T‘ung Tien_, _Yü Lan_, and also Li Ch‘üan’s
text have 候, which the latter explains as “the observation of
omens,” and Chia Lin simply as “watching and waiting.” 作 is
defined by Tu Mu as 激作, and Chang Yü tells us that by noting the
joy or anger shown by the enemy on being thus disturbed, we shall
be able to conclude whether his policy is to lie low or the
reverse. He instances the action of Chu-ko Liang, who sent the
scornful present of a woman’s head-dress to Ssŭ-ma I, in order to
goad him out of his Fabian tactics.
Force him to reveal himself, so as to find out his vulnerable spots.
Public-domain text, read in full here on John Shaqi.
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