Sun Tzŭ on the Art of War: The Oldest Military Treatise in the WorldSunzi, active 6th century B.C.
Philosophy
Sun Tzŭ on the Art of War: The Oldest Military Treatise in the World
Sunzi, active 6th century B.C.
Military art and science -- Early works to 1800; War -- Early works to 1800
Two commentators, Li Ch‘üan and Chang Yü, take 形之 in the sense
of 示之 “put on specious appearances.” The former says: “You may
either deceive the enemy by a show of weakness—striking your
colours and silencing your drums; or by a show of strength—making
a hollow display of camp-fires and regimental banners.” And the
latter quotes V. 19, where 形之 certainly seems to bear this sense.
On the other hand, I would point to § 13 of this chapter, where 形
must with equal certainty be active. It is hard to choose between
the two interpretations, but the context here agrees better, I
think, with the one that I have adopted. Another difficulty arises
over 死生之地, which most of the commentators, thinking no doubt of
the 死地 in XI. § 1, refer to the actual _ground_ on which the
enemy is encamped. The notes of Chia Lin and Mei Yao-ch‘ên,
however, seem to favour my view. The same phrase has a somewhat
different meaning in I. § 2.
24. 角之而知有餘不足之處
Carefully compare the opposing army with your own,
Tu Yu is right, I think, in attributing this force to 角; Ts‘ao
Kung defines it simply as 量. Capt. Calthrop surpasses himself with
the staggering translation “Flap the wings”! Can the Latin _cornu_
(in its figurative sense) have been at the back of his mind?
so that you may know where strength is superabundant and where it is
deficient.
Cf. IV. § 6.
25. 故形兵之極至於無形無形則深閒不能窺知者不能謀
In making tactical dispositions, the highest pitch you can attain is
to conceal them;
The piquancy of the paradox evaporates in translation. 無形 is
perhaps not so much actual invisibility (see _supra_, § 9) as
“showing no sign” of what you mean to do, of the plans that are
formed in your brain.
conceal your dispositions, and you will be safe from the prying of the
subtlest spies, from the machinations of the wisest brains.
深閒 is expanded by Tu Mu into 雖有閒者深來窺我. [For 閒, see XIII,
note on heading.] He explains 知者 in like fashion:
雖有智能之士亦不能謀我也 “though the enemy may have clever and
capable officers, they will not be able to lay any plans against
us.”
26. 因形而錯勝於衆衆不能知
How victory may be produced for them out of the enemy’s own
tactics—that is what the multitude cannot comprehend.
All the commentators except Li Ch‘üan make 形 refer to the enemy.
So Ts‘ao Kung: 因敵形而立勝. 錯 is defined as 置. The _T‘u Shu_ has
措, with the same meaning. See IV. § 13. The _Yü Lan_ reads 作,
evidently a gloss.
27. 人皆知我所以勝之形而莫知吾所以制勝之形
All men can see the tactics whereby I conquer, but what none can see
is the strategy out of which victory is evolved.
_I.e._, everybody can see superficially how a battle is won; what
they cannot see is the long series of plans and combinations which
has preceded the battle. It seems justifiable, then, to render the
first 形 by “tactics” and the second by “strategy.”
28. 故其戰勝不復而應形於無窮
Do not repeat the tactics which have gained you one victory, but let
your methods be regulated by the infinite variety of circumstances.
Public-domain text, read in full here on John Shaqi.
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