Sun Tzŭ on the Art of War: The Oldest Military Treatise in the WorldSunzi, active 6th century B.C.
Philosophy
Sun Tzŭ on the Art of War: The Oldest Military Treatise in the World
Sunzi, active 6th century B.C.
Military art and science -- Early works to 1800; War -- Early works to 1800
The original text omits 藏, which has been restored from the _T‘ung
Tien_ and _Yü Lan_. The _T‘u Shu_ omits 處 as well, making 所 a
substantive. On 姦 Chang Yü has the note: 又慮姦細潛隱覘我虛實聽我號令
伏姦當爲兩事 “We must also be on our guard against traitors who may
lie in close covert, secretly spying out our weaknesses and
overhearing our instructions. _Fu_ and _chien_ are to be taken
separately.”
18. 敵近而靜者恃其險也
When the enemy is close at hand and remains quiet, he is relying on
the natural strength of his position.
Here begin Sun Tzŭ’s remarks on the reading of signs, much of
which is so good that it could almost be included in a modern
manual like Gen. Baden-Powell’s “Aids to Scouting.”
19. 遠而挑戰者欲人之進也
When he keeps aloof and tries to provoke a battle, he is anxious for
the other side to advance.
Probably because we are in a strong position from which he wishes
to dislodge us. “If he came close up to us,” says Tu Mu, “and
tried to force a battle, he would seem to despise us, and there
would be less probability of our responding to the challenge.”
20. 其所居者易利也
If his place of encampment is easy of access, he is tendering a bait.
易 is here the opposite of 險 in § 18. The reading of the _T‘ung
Tien_ and _Yü Lan_, 其所處者居易利也, is pretty obviously corrupt.
The original text, which transposes 易 and 者, may very possibly be
right. Tu Mu tells us that there is yet another reading:
士爭其所居者易利也.
21. 衆樹動者來也衆草多障者疑也
Movement amongst the trees of a forest shows that the enemy is
advancing.
Ts‘ao Kung explains this as “felling trees to clear a passage,”
and Chang Yü says: “Every army sends out scouts to climb high
places and observe the enemy. If a scout sees that the trees of a
forest are moving and shaking, he may know that they are being cut
down to clear a passage for the enemy’s march.”
The appearance of a number of screens in the midst of thick grass
means that the enemy wants to make us suspicious.
Whenever the meaning of a passage happens to be somewhat elusive,
Capt. Calthrop seems to consider himself justified in giving free
rein to the imagination. Thus, though his text is here identical
with ours, he renders the above: “Broken branches and trodden
grass, as of the passing of a large host, must be regarded with
suspicion.” Tu Yu’s explanation, borrowed from Ts‘ao Kung, is as
follows: “The presence of a number of screens or sheds in the
midst of thick vegetation is a sure sign that the enemy has fled
and, fearing pursuit, has constructed these hiding-places in order
to make us suspect an ambush.” It appears that these “screens”
were hastily knotted together out of any long grass which the
retreating enemy happened to come across.
22. 鳥起者伏也獸駭者覆也
The rising of birds in their flight is the sign of an ambuscade.
Public-domain text, read in full here on John Shaqi.
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