All of which delighted the already joyous Sundown. He saw before him a
flower-bordered pathway to his happiness, and incidentally, as he gazed
down the pathway toward the gate of Chico Miguel's homestead, he saw
Anita standing pensively beneath the shade of an acacia, pulling a
flower to pieces and casting quick glances at the house. "Good-night,
Senora,--I mean--er--here's hopin' you have a good sleep. It sure is
refreshin' this hot weather." The Senora nodded and disappeared in the
bedroom. Sundown strode jingling down the pathway, a brave figure in
his glittering chaps and tinkling spurs. Anita's eyes were hidden
beneath her long black lashes. Perhaps she had anticipated something
of that which followed--perhaps she anticipated even more. In any
event, Sundown was not a disappointment. He asked her to sit beside
him beneath the acacia. Then he took her hand and squeezed it. "Let's
jest sit here and look out at them there mesas dancin' in the sun; and
say, 'Nita, let's jest say nothin' for a spell. I'm so right down
happy that suthin' hurts me throat."
When Chico Miguel returned in the dusk of evening, humming a song of
the herd, he was not a little surprised to find that Anita was absent.
He questioned the Senora, who smiled as she bustled about the table.
"Tortillas," she said, and was gratified at the change in Chico
Miguel's expression. Then she explained the presence of the broad new
Stetson that lay on a chair, adding a gesture toward the gateway. "It
is the tall one and our daughter--he of the grand manner and the sad
countenance. It is possible that a new home will be thought of for
Anita." There had been conversations that afternoon with the tall
caballero and understandings. Chico Miguel was to wash himself and put
on his black suit. It was an event--and there were tortillas.
Chico Miguel wondered why the hour of eating had been so long past. To
which the Senora replied that he had just arrived, and, moreover, that
she had already called to Anita this the third time, yet had had no
response. Chico Miguel moved toward the doorway, but his wife laid her
hand on his arm. "It is that you take the big guitar and play the
'Linda Rosa, Adios.' Then, to be sure, they will hear and the supper
will not grow cold."
Public-domain text, read in full here on John Shaqi.
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