Short stories; United States -- Social life and customs -- Fiction
Through her sobering maturer years she had passed from one set of hands
to another, until finally, in her declining days, she found asylum in
the affectionate ownership of Judge Priest, with Jeff to curry her fat
sides and no more arduous labor to perform than occasionally to draw the
Judge about from place to place in his ancient shovel-topped buggy.
About her now there was naught to suggest the prancing rozin-back she
once had been; the very look of her eye conjured up images of simple
pastoral scenes--green meadows and purling brooks.
But let a certain signal be sounded and on top of that let a certain air
be played and Mittie May, instantly losing that air she had of a
venerable and dignified sheep, became a Mittie May transformed; a Mittie
May reverted to another and more feverish time; a Mittie May stirred by
olden memories to nightmarish performances. By chance once Jeff had
happened upon her secret, and now, all in one illuminating flash,
recalling the conditions governing this discovery, he gave vent to a low
anticipatory chuckle. It was the first chuckle he had uttered in a
fortnight, and this one was edged with a sinister portent. He had his
idea now. He had at hand the agency for bringing the scheme to fruition.
But yet there remained much of preliminary detail to be worked out. His
plan still was like a fine-toothed comb which has seen hard usage in a
wiry thatch--there were wide gaps between its prongs.
Jeff gave himself over to sustained thought. He made calculations
calendar-wise. This was the first day of August; the eighth, therefore,
was but seven short days removed. This plot of his seemed to resemble a
number of things. It was like a piece of pottery, too. First the plastic
clay must be assembled, then the vessel itself turned from it; finally
the completed product must be given time to harden before it would be
ready for use. He must move fast but warily.
To begin with, now, he must create a setting of plausibility for the
role he meant, in certain quarters, to essay; must dress the character,
as it were, in its correct housings and provide just the right touches
of local color. Ready at hand was Aunt Dilsey; he would make her,
unwittingly so far as she kenned, a supporting member of the cast. She
would never know it, but she would play an accessory part, small but
important, in his prologue.
Public-domain text, read in full here on John Shaqi.
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