Sunny Memories Of Foreign Lands, Volume 1Stowe, Harriet Beecher
History
Sunny Memories Of Foreign Lands, Volume 1
Stowe, Harriet Beecher
Europe -- Description and travel
We passed through the town of Stirling, whose castle, magnificently
seated on a rocky throne, looks right worthy to have been the seat of
Scotland's court, as it was for many years. It brought to our minds all
the last scenes of the Lady of the Lake, which are laid here with a
minuteness of local description and allusion characteristic of Scott.
According to our guide book, one might find there the visible
counterpart of every thing which he has woven into his beautiful
fiction--"the Lady's Rock, which rang to the applause of the multitude;"
"the Franciscan steeple, which pealed the merry festival;" "the sad and
fatal mound," apostrophized by Douglas,--
"That oft has heard the death-axe sound
As on the noblest of the land,
Fell the stern headsman's bloody hand;"--
the room in the castle, where "a Douglas by his sovereign bled;" and not
far off the ruins of Cambuskenneth Abbey. One could not but think of the
old days Scott has described.
"The castle gates were open flung,
The quivering drawbridge rocked and rung,
And echoed loud the flinty street
Beneath the coursers' clattering feet,
As slowly down the steep descent
Fair Scotland's king and nobles went,
While all along the crowded way
Was jubilee and loud huzza."
The place has been long deserted as a palace; but it is one of the four
fortresses, which, by the articles of union between Scotland and
England, are always to be kept in repair.
We passed by the town of Perth, the scene of the "Fair Maid's"
adventures. We had received an invitation to visit it, but for want of
time were obliged to defer it till our return to Scotland.
Somewhere along here Mr. S. was quite excited by our proximity to
Scone, the old crowning-place of the Scottish kings; however, the old
castle is entirely demolished, and superseded by a modern mansion, the
seat of the Earl of Mansfield.
Public-domain text, read in full here on John Shaqi.
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