Sunny Memories Of Foreign Lands, Volume 1Stowe, Harriet Beecher
History
Sunny Memories Of Foreign Lands, Volume 1
Stowe, Harriet Beecher
Europe -- Description and travel
When lunch was announced, the Duke of Sutherland gave me his arm, and
led me through a suite of rooms into the dining hall. Each room that we
passed was rich in its pictures, statues, and artistic arrangements; a
poetic eye and taste had evidently presided over all. The table was
beautifully laid, ornamented by two magnificent _épergnes_, crystal
vases supported by wrought silver standards, filled with the most
brilliant hothouse flowers; on the edges of the vases and nestling
among the flowers were silver doves of the size of life. The walls of
the room were hung with gorgeous pictures, and directly opposite to me
was a portrait of the Duchess of Sutherland, by Sir Thomas Lawrence,
which has figured largely in our souvenirs and books of beauty. She is
represented with a little child in her arms; this child, now Lady
Blantyre, was sitting opposite to me at table, with a charming little
girl of her own, of about the same apparent age. When one sees such
things, one almost fancies this to be a fairy palace, where the cold
demons of age and time have lost their power.
I was seated next to Lord Lansdowne, who conversed much with me about
affairs in America. It seems to me that the great men of the old world
regard our country thoughtfully. It is a new development of society,
acting every day with greater and greater power on the old world; nor is
it yet clearly seen what its final results will be. His observations
indicated a calm, clear, thoughtful mind--an accurate observer of life
and history.
Meanwhile the servants moved noiselessly to and fro, taking up the
various articles on the table, and offering them to the guests in a
peculiarly quiet manner. One of the dishes brought to me was a plover's
nest, precisely as the plover made it, with five little blue speckled
eggs in it. This mode of serving plover's eggs, as I understand it, is
one of the fashions of-the day, and has something quite sylvan and
picturesque about it; but it looked so, for all the world, like a
robin's nest that I used to watch out in our home orchard, that I had it
not in my heart to profane the sanctity of the image by eating one of
the eggs.
The _cuisine_ of these West End regions appears to be entirely under
French legislation, conducted by Parisian artists, skilled in all subtle
and metaphysical combinations of ethereal possibilities, quite
inscrutable to the eye of sense. Her grace's _chef_, I have heard it
said elsewhere, bears the reputation of being the first artist of his
class in England. The profession as thus sublimated bears the same
proportion to the old substantial English cookery that Mozart's music
does to Handel's, or Midsummer Night's Dream to Paradise Lost.
Public-domain text, read in full here on John Shaqi.
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