Sunny Memories Of Foreign Lands, Volume 1Stowe, Harriet Beecher
History
Sunny Memories Of Foreign Lands, Volume 1
Stowe, Harriet Beecher
Europe -- Description and travel
Our voyage out was called "a good run." It was voted, unanimously, to be
"an extraordinarily good passage," "a pleasant voyage;" yet the ship
rocked the whole time from side to side with a steady, dizzy, continuous
motion, like a great cradle. I had a new sympathy for babies, poor
little things, who are rocked hours at a time without so much as a "by
your leave" in the case. No wonder there are so many stupid people in
the world.
There is no place where killing time is so much of a systematic and
avowed object as in one of these short runs. In a six months' voyage
people give up to their situation, and make arrangements to live a
regular life; but the ten days that now divide England and America are
not long enough for any thing. The great question is how to get them
off; they are set up, like tenpins, to be bowled at; and happy he whose
ball prospers. People with strong heads, who can stand the incessant
swing of the boat, may read or write. Then there is one's berth, a
never-failing resort, where one may analyze at one's leisure the life
and emotions of an oyster in the mud. Walking the deck is a means of
getting off some half hours more. If a ship heaves in sight, or a
porpoise tumbles up, or, better still, a whale spouts, it makes an
immense sensation.
Our favorite resort is by the old red smoke pipe of the steamer, which
rises warm and luminous as a sort of tower of defence. The wind must
blow an uncommon variety of ways at once when you cannot find a
sheltered side, as well as a place to warm your feet. In fact, the old
smoke pipe is the domestic hearth of the ship; there, with the double
convenience of warmth and fresh air, you can sit by the railing, and,
looking down, command the prospect of the cook's offices, the cow house,
pantries, &c.
Our cook has specially interested me--a tall, slender, melancholy man,
with a watery-blue eye, a patient, dejected visage, like an individual
weary of the storms and commotions of life, and thoroughly impressed
with the vanity of human wishes. I sit there hour after hour watching
him, and it is evident that he performs all his duties in this frame of
sad composure. Now I see him resignedly stuffing a turkey, anon
compounding a sauce, or mournfully making little ripples in the crust of
a tart; but all is done under an evident sense that it is of no use
trying.
Many complaints have been made of our coffee since we have been on
board, which, to say the truth, has been as unsettled as most of the
social questions of our day, and, perhaps, for that reason quite as
generally unpalatable; but since I have seen our cook, I am quite
persuaded that the coffee, like other works of great artists, has
borrowed the hues of its maker's mind. I think I hear him soliloquize
over it--"To what purpose is coffee?--of what avail tea?--thick or
clear?--all is passing away--a little egg, or fish skin, more or less,
what are they?" and so we get melancholy coffee and tea, owing to our
philosophic cook.
Public-domain text, read in full here on John Shaqi.
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