Sunny Memories Of Foreign Lands, Volume 1Stowe, Harriet Beecher
History
Sunny Memories Of Foreign Lands, Volume 1
Stowe, Harriet Beecher
Europe -- Description and travel
To me there is always something interesting and beautiful about a
universal popular excitement of a generous character, let the object of
it be what it may. The great desiring heart of man, surging with one
strong, sympathetic swell, even though it be to break on the beach of
life and fall backwards, leaving the sands as barren as before, has yet
a meaning and a power in its restlessness, with which I must deeply
sympathize. Nor do I sympathize any the less, when the individual, who
calls forth such an outburst, can be seen by the eye of sober sense to
be altogether inadequate and disproportioned to it.
I do not regard it as any thing against our American nation, that we are
capable, to a very great extent, of these sudden personal enthusiasms,
because I think that, with an individual or a community, the capability
of being exalted into a temporary enthusiasm of self-forgetfulness, so
far from being a fault, has in it a quality of something divine.
Of course, about all such things there is a great deal which a cool
critic could make ridiculous, but I hold to my opinion of them
nevertheless.
In the afternoon I rode out with the lord provost to see the cathedral.
The lord provost answers to the lord mayor in England. His title and
office in both countries continue only a year, except in cases of
reëlection.
As I saw the way to the cathedral blocked up by a throng of people, who
had come out to see me, I could not help saying, "What went ye out for
to see? a reed shaken with the wind?" In fact, I was so worn out, that I
could hardly walk through the building.
It is in this cathedral that part of the scene of Rob Roy is laid. This
was my first experience in cathedrals. It was a new thing to me
altogether, and as I walked along under the old buttresses and
battlements without, and looked into the bewildering labyrinths of
architecture within, I saw that, with silence and solitude to help the
impression, the old building might become a strong part of one's inner
life. A grave yard crowded with flat stones lies all around it. A deep
ravine separates it from another cemetery on an opposite eminence,
rustling with dark pines. A little brook murmurs with its slender voice
between.
On this opposite eminence the statue of John Knox, grim and strong,
stands with its arm uplifted, as if shaking his fist at the old
cathedral which in life he vainly endeavored to battle down.
Knox was very different from Luther, in that he had no conservative
element in him, but warred equally against accessories and essentials.
Public-domain text, read in full here on John Shaqi.
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