"Emily is very, very pretty, and that sort of excuses her for digging
into the intricacies of spheral harmonies. Even such unmitigated
nonsense as sphere control, spirit harmony, and mental submission,
assumes a semblance of dignity when expounded by her cherry-red lips.
She speaks vacuously of being under world-dominance, and has absolutely
no physical consciousness. She says so herself. If she ignores her
tempting curves and matchless softness, she is the only one in the
house who does. In fact, it is only the attraction of her very
physical being, which she denies, that lends a species of sense to her
harmonious converse. She and I are great friends. She says I am a
harmonizer on the inside.
"She is engaged to a man across the hall, Rodney Carter. She has the
room next to mine. His voice is deep and carrying, hers is clear and
ringing, and the walls are thin. So I have benefited by most of their
courtship. But the course of true love, you know. She has tried
spiritually and harmoniously to convert him to immaterialism, but
Rodney is very conscious of his physical, muscular, material being, and
he hoots at her derisively, but tenderly.
"'Oh, cut it out, Emily,' he said, one evening. 'We can only afford
one spirit in the family. One of us has got to earn a living.
Spirits, it seems, require plenty of steak and potatoes to keep them in
harmony. I could not conscientiously lead you to the altar, even a
spheral altar, if I were not prepared to pay house rent and coal bills.
One's enough, you can be our luxury.'
"'But, Rod, if you are in harmony you can earn our living so much more
easily. You must get above this notion of material necessities. There
are no such things.'
"'I don't believe it,' he interrupted coldly. 'There are material
necessities. You are one of them. The most necessary in the world.
You may be harmonious, but you are material, too. That is why I love
you. I couldn't be crazy about a melodious breath of air ghosting
around the back yard. And I am not strong for disembodied minds,
either. They make me nervous. They sound like skulls and cross-bones,
and whitening skeletons to me. I love you, your arms, your face, all
of you. It may not be proper to talk about it, but I love it. Can you
imagine our minds embracing each other, thrilling at the contact,--oh,
it's tommyrot. A fool--'
"'It may be tommyrot to you, Rod,' said Emily haughtily. 'But the
inspiration of the matchless minds of the mystic men of the Orient--'
"'Inspiration of idiocy. What do mystic men of the Orient know about
warm-blooded Americans, dead in love? I might kiss the air until I was
blue in the face,--nothing to it,--but let me kiss you, and we are both
aquiver, and--'
"'Rodney Carter, don't you dare say such things,' she cried furiously.
'It is insulting. Besides it has nothing to do with it. It isn't so
anyhow. And what is more--'
Public-domain text, read in full here on John Shaqi.
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