"My dear Monsieur Edouarts," said he, in a low voice--for the red-haired
little beggar was still standing there expectant--"he has gone over to
the shipping-place. We must follow later on. Meanwhile, regard this
letter that has just been forwarded to me. Ah, you English do not forget
your promises!"
Edwards threw a piece of money to the child, who passed on. Then he
took the letter and read it. It was in French.
* * * * *
"Dear Calabressa,--I want you to tell me what you have done with Yakov
Kirski. They seem unwilling to say here, and I do not choose to inquire
further. But I undertook to look after him, and I understood he was
getting on very well, and now you have carried him off. I hope it is
with no intention of allowing him to go back to Russia, where he will
simply make an attempt at murder, and fall into the hands of the police.
Do not let the poor devil go and make a fool of himself. If you want
money to send him back to England, show this letter, or forward it to
Messrs. ----, who will give you what you want.
"Your friend, George Brand.
"P.S.--I have seen your beautiful caged little bird. I can say no more
at present, but that she shall not suffer through any neglect of mine."
* * * * *
"What is that about the caged bird?" said Edwards.
"Ah, the caged bird?" said Calabressa. "The caged bird?--do you see,
that is a metaphor. It is nothing; one makes one's little joke. But I
was saying, my dear friend, that you English do not promise, and then
forget. No; he says, 'I will befriend this poor devil of a Kirski;' and
here he comes inquiring after him. Now I must answer the letter; you
will accompany me, Monsieur Edouarts? Ten minutes in my little room, and
it is done."
So the two walked away together. This Edwards who now accompanied
Calabressa was a man of about thirty, who looked younger; tall, fair,
with a slight stoop, a large forehead, and blue eyes that stared
near-sightedly through spectacles. The ordinary expression of his face
was grave even to melancholy, but his occasional smile was humorous, and
when he laughed the laugh was soft and light like that of a child. His
knowledge of modern languages was considered to be almost unrivalled,
though he had travelled but little.
When, in this little room, Calabressa had at length finished his letter
and dusted it over with sand, he was not at all loath to show it to this
master of modern speech. Calabressa was proud of his French; and if he
would himself have acknowledged that it was perhaps here and there of
doubtful idiom and of phonetic spelling, would he not have claimed for
it that it was fluent, incisive, and ornate?
Public-domain text, read in full here on John Shaqi.
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