He went and fetched a curious old silver drinking-cup, set round the lip
and down the handle with uncut rubies and sapphires.
"I don't like the notion of the thing at all," Lord Evelyn said, rather
gloomily; but it was not the cup that he was refusing thus ungraciously.
"After a time people will give me up for lost; and I have left you ample
power to give any one you can think of some little present, don't you
know, as a memento--whatever strikes your own fancy. I want Natalie to
have that Louis XV. table over there--people rather admire the inlaid
work on it, and the devices inside are endless. However, we will make
out a list of these things afterward. Will you drive me down to the
village now? I want you to see my pensioners."
"All right--if you like," Lord Evelyn said; though his heart was not in
the work.
He walked out of this little room and made his way to the front-door,
fancying that Brand would immediately follow. But Brand returned to that
room, and opened the case of miniatures. Then he took from his pocket a
little parcel, and unrolled it: it was a portrait of Natalie--a
photograph on porcelain, most delicately colored, and surrounded with an
antique silver frame. He gazed for a minute or two at the beautiful
face, and somehow the eyes seemed sad to him. Then he placed the little
portrait--which itself looked like a miniature--next the miniature of
his mother, and shut the case and locked it.
"I beg your pardon, Evelyn, for keeping you waiting," he said, at the
front-door. "Will you particularly remember this--that none of the
portraits here are to be disturbed on any account whatever?"
CHAPTER XLVII.
AT PORTICI.
Natalie slept far from soundly the first night after her arrival in
Naples; she was glad when the slow, anxious hours, with all their
bewildering uncertainties and forebodings, were over. She rose early,
and dressed quickly; she threw open the tall French windows to let in
the soft silken air from the sea; then she stepped out on the balcony to
marvel once more--she who knew Naples well enough--at the shining beauty
around her.
Public-domain text, read in full here on John Shaqi.
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