Then, too late, came the happy event for which Jenkins and Marguerite had so optimistically been looking. In October, 1817, Captain Maurice St. Leger Farmer joined some boon companions in an all-night orgy in the upper room of a pothouse. Farmer waxed so much drunker than usual that he mistook the long window of the loom for the door. Bidding his friends good-by, he strolled out of the window into space. Being a heavier-than-air body, in spite of the spirits that buoyed him up, he drifted downward into the courtyard below, breaking his miserable neck. Marguerite was free. Jenkins hastened to her and besought her to marry him, offering her an honorable name and a place in the world, and pointing out to her how much better off she would be in the long run as Mrs. Captain Jenkins than as the brevet bride of a dissolute earl. But Blessington had by this time become the helpless thrall of Marguerite's charm. As soon as he heard of Farmer's death, he whisked her off to church and married her. And, by way of doing all things handsomely, he soothed the disconsolate Jenkins' feelings with a fifty-thousand-dollar check; thereby securing firm title to the good will and fixtures of the previous tenant of his wife's heart. The earl took his new wife to his ancestral home, at Mountjoy Forest. And there the couple kept open house, spending money like drunken sailors, and having a wonderful time. It was the first chance Marguerite had ever had for spending any large amount of money. She so well improved her opportunities along this line, and got such splendid results therefrom, that she was nicknamed by a flowery Irish admirer "the most gorgeous Lady Blessington." And the name stuck to her, to her delight, all through life. Blessington had always been extravagant. Now, goaded on by Marguerite, he proceeded to make the Prodigal Son look like Gaspard the Miser. One of his lesser expenditures was the building of a theater on his own estate, that he and Marguerite might satisfy to the full their love for amateur theatricals. At this theater they and their friends were the only performers, and their friends were the only spectators. The performances must have been gems of histrionic and literary excellence, and a rare delight to every one concerned. It would have been worth walking barefoot for miles to witness one of them. For the actors were bound by a list of hard-and-fast rules devised and written out by Lord Blessington himself. You may judge the rest of these rules by the first, which read: Every gentleman shall be at liberty to avail himself of the words of the author, in case his own invention fails him. One's heart warms to the genius who could frame that glorious rule for stage dialogue.