Jean met and fell victim to Marie. Realizing what a cash attraction
her beauty and charm could be made, he installed her as presiding
genius of his gambling house, as a lure to draw youthful nobles to the
place. Marie--or Madame Lange, as, for no known reason, she had begun
to call herself--was the bright star at the Chance Goddess' shine. And
the money poured fast into the crooked games whereby the house made
Jean rich.
For a time there was wholesale prosperity all around, with plenty more
of it to come. Before I go on, may I quote a contemporary writer's
word picture of Marie, as she appeared at this time?
Her hair is long, silky, curling like a child's, and blond with a
natural ash tint.... Her eyebrows and lashes are dark and curly.
Behind them the blue eyes, which one seldom sees quite open, look
out with coquettish, sidelong glances.... Her nose is small and
finely cut, and her mouth is a perfect cupid's bow.... Her neck,
her arms, and her feet and hands remind one of ancient Greek
statuary; while her complexion is that of a rose leaf steeped in
milk.... She carries with her a delicious atmosphere of
intoxication, victorious, amorous youth.
Voltaire once exclaimed, before a portrait of her:
"The original was made for the gods!"
Even as the cherry tree was posthumously invented for Washington and,
perhaps, the apple for William Tell and the egg for Columbus, so
around Marie in after years sprang up countless tales of her youth.
Some may have been true. Some were palpable lies. To which does the
ensuing anecdote belong?
In the spring of 1768, during her sojourn as "come-on" for the du
Barry gambling hell, Marie noticed, three days in succession, that she
was closely followed on the street by "a young man of a sober cast of
countenance and elegant attire." Now, to be followed was no novelty to
Marie. And more than one man of "elegant attire" had sued in vain for
her favor. Yet this youth made no advances. He simply followed her
wherever she went. And in his absence his face haunted her strangely.
So, on the fourth day, as she turned suddenly in the street and saw
him close behind her, she asked, with affected indignation:
"What do you want of me?"
The man bowed low, with no shadow of hesitancy, made this cryptic
answer to her query:
"Mademoiselle, will you grant me the first reasonable request I may
make of you when you are Queen of France?"
Thinking he was a crank--as perhaps he was--she sought to humor him,
and replied:
"Certainly, monsieur. I promise."
"You take me for a madman," he returned, with a second grave bow. "But
I am not insane. Adieu, mademoiselle. There will be nothing more
extraordinary than your elevation--except your end."
He spoke and vanished, either into the street crowd or into thin air.
Public-domain text, read in full here on John Shaqi.
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