Supplemental Nights to the Book of the Thousand and One Nights — Volume 4 (of 6)
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 4 (of 6)
Fairy tales; Tales -- Arab countries
scribes or Tálibs who make a profession of writing. These may
frequently be seen in small rooms opening on to the street,
usually very respectably dressed in a white flowing haik and
large turban, and in most cases of venerable appearance, their
noses being adorned with huge goggles. Before them are their
appliances,?pens made of reeds, ink, paper, and sand in lieu of
blotting paper. They usually possess also a knife and scissors,
with a case to hold them all. In writing, they place the paper on
the knee, or upon a pad of paper in the left hand." The main
merit of the village school in Eastern lands is its noises which
teach the boy to concentrate his attention. As Dr. Wilson of
Bombay said, the young idea is taught to shout as well as to
shoot, and this vivâ voce process is a far better mnemonic than
silent reading. Moreover it is fine practice in the art of
concentrating attention.
[FN#140] Arab. "Mikshat," whose root would be "Kasht" = skinning (a camel).
[FN#141] Evidently said ironicè as of innocents. In "The Forty
Vezirs" we read, "At length they perceived that all this tumult
arose from their trusting on this wise the words of children."
(Lady's XXth Tale.)
[FN#142] MS. iii. 219-220. For some unaccountable reason it is
omitted by Scott (vi. 76), who has written English words in the margin of the W. M. Codex.
[FN#143] In text "Kádúm," for "Kudúm," a Syrian form.
[FN#144] Arab. "Hidyah," which in Egypt means a falcon; see vol.
iii. 138.
[FN#145] Arab. "Sifah," = lit. a quality.
[FN#146] Arab. "Istiláh" = specific dialect, idiom. See De Sacy,
Chrestomathie, i. 443, where the learned Frenchman shows abundant
learning, but does very little for the learner.
[FN#147] In the text "Kattán" = linen, flax.
[FN#148] Arab. "Fí Jífán ka'l-Jawábí!" which, I suppose, means
small things (or men) and great.
Public-domain text, read in full here on John Shaqi.
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