Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
Fairy tales; Tales -- Arab countries
And here before crossing the threshold, I would seize the opportunity of
expressing my cordial gratitude and hearty thanks to the Press in general,
which has received my Eastern studies and contributions to Oriental knowledge
in the friendliest and most sympathetic spirit, appreciating my labours far
beyond the modicum of the offerer's expectation and lending potent and
generous aid to place them before the English world in the fairest and most
favourable point of view. To number a small proportion of "black sheep" is no
shame for a flock amounting to myriads: such exceptional varieties must be
bred for the use and delectation of those who prefer to right wrong and
darkness to light. It is with these only that my remarks and retorts will deal
and consequently I have assigned to them the post of honour. The various
extracts from notices, favourable appreciative and complimentary, appear as
the "Opinions of the Press" at the end of this volume, and again I take the
opportunity of professing myself truly thankful for the good word of the
Fourth Estate, and for its wisely detecting the soul of good in things evil.
The romantic and exceptional circumstances under which my large labour was
projected and determined have been sufficiently described in the Foreword
(vol. i. pp. vii- x). I may here add that during a longsome obligatory halt of
some two months at East African Zayla' and throughout a difficult and
dangerous march across the murderous Somali country upon Harar-Gay, then the
Tinbukhtú of Eastern Africa, The Nights rendered me the best of service. The
wildlings listened with the rapt attention of little lads and lasses to the
marvellous recitals of the charming Queen and the monotonous interpellations
of her lay-image sister and looked forward to the evening lecture as the crown
and guerdon of the toilsome day. And assuredly never was there a more suitable
setting, a more admirable mise-en-scène for The Nights than the landscape of
Somali-land, a prospect so adapted to their subject-matter that it lent
credibility even to details the least credible. Barren and grisly for the most
part, without any of the charms gladdening and beautifying the normal
prospects of earth, grassy hill and wooded dale, park-like plain and placid
lake, and the snaking of silvery stream, it displays ever and anon beauties
made all its own by borrowing from the heavens, in an atmosphere of passing
transparency, reflections of magical splendours and of weird shadows proper to
tropical skies. No rose-hue pinker than the virginal blush and dewy flush of
dawn in contrast with the shivering reek of flaming noon-tide, when all
brightness of colour seems burnt out of the world by the white heat of
sun-glow. No brilliancy more gorgeous or more ravishing than the play of light
and shade, the rainbow shiftings and the fiery pinks and purples and embers
and carmines of the sunset scenery--the gorgeous death-bed of the Day. No tint
Public-domain text, read in full here on John Shaqi.
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