"A careful (again!) examination of Captain Burton's translation shows that he has not, as he pretends(!), corrected it to agree with the Calcutta text, but has made a hotch-potch of various texts, choosing one or another--Cairo, Breslau, Macnaghten or first Calcutta--according as it presented most of the 'characteristic' detail (note the dig in the side vicious), in which Captain Burton's version is peculiarly strong" (p. 180). So in return for the severe labour of collating the four printed texts and of supplying the palpable omissions, which by turns disfigure each and every of the quartette, thus producing a complete copy of the Recueil, I gain nothing but blame. My French friend writes to me: Lorsqu'il s'agit d'établir un texte d'après différents manuscrits, il est certain qu'il faut prendre pour base une-seule redaction. Mais il n'est pas de même d'une traduction. Il est conforme aux règles de la saine critique littéraire, de suivre tous les textes. Lane, I repeat, contented himself with the imperfect Bulak text while Payne and I preferred the Macnaghten Edition which, says the Reviewer, with a futile falsehood all his own, is "really only a revised form of the Cairo text" [FN#452] (ibid.). He concludes, making me his rival in ignorance, that I am unacquainted with the history of the MS. from which the four- volume Calcutta Edition was printed (ibid.). I should indeed be thankful to him if he could inform me of its ultimate fate: it has been traced by me to the Messieurs Allen and I have vainly consulted Mr. Johnston who carries on the business under the name of that now defunct house. The MS. has clean disappeared. "On the other hand he (Captain Burton) sometimes omits passages which he considers(!) tautological and thereby deprives his version of the merit of completeness (e.g. vol. v. p. 327). It is needless to remark that this uncertainty about the text destroys the scholarly value of the translation" (p. 180). The scribe characteristically forgets to add that I have invariably noted these excised passages which are always the merest repetitions, damnable iterations of a twice-, and sometimes a thrice-told tale, and that I so act upon the great principle--in translating a work of imagination and "inducing" an Oriental tale, the writer's first duty to his readers is making his pages readable.