Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
Fairy tales; Tales -- Arab countries
the first volume of ten, the set issued solely to subscribers. And already, as
in the case of Mr. Payne's edition, there has been a scramble to secure it,
and it is no longer to be had for love or money. The fact is, it fills a void,
the world has been waiting for this chef d'æuvre, and all lovers of the
Arabian Nights wonder how they have got on without it. We must break off from
remarks to give some idea of the originality of the style, of the incomparable
way in which the very essence and life of the East is breathed into simple,
straightforward Anglo-Saxon English. In certain of Captain Burton's books he
borrows words from all languages, there are not enough for his use, and he is
driven to coin them. But in the character of Arabian story-teller he is
simplicity itself, and whilst avoiding words of length, he introduces just
enough of antique phrase as gives a bygone and poetic flavour. The most
exacting and the most fastidious will be satisfied at the felicitous handling
of immortal themes. A delightful characteristic is the division of the text
into Nights. Lane and Payne, for peculiar reasons of their own, have both
omitted to mark the breaks in the recital. But now for the first time the
thread on which all is strung is clearly kept in view, and justice is done to
the long drawn-out episode of the young wife who saves her own neck and averts
a wholesale massacre of maidens by her round of stories within stories.
The reader most familiar with the ordinary versions at once is in a new
atmosphere. The novelty is startling as it is delightful. We are face to face
with the veritable East, where Cairo, Damascus, and Baghdad are known to us as
London or Lincoln. The whole life of the people is represented, nothing is
passed over or omitted. The picture is complete, and contains everything as
the "white contains the black of the eye," a phrase which, by- the-bye, in
Arabic is all contained in one word. We have before alluded to the strength
and beauty of the style. The felicities of expression are innumerable. What
could be better than the terms to express grief and joy, "his breast
broadened," "his breast straitened," or the words used of a person in abject
terror, "I died in my skin," or the cruelty of the scourger who persevered
"till her forearm failed," or the expression of despair "The light before his
face became night," or the grand account of the desert storm "when behold a
dust cloud up-flew and grew until it walled the horizon from view." Another
speciality of Captain Burton's edition is the Notes. He is celebrated for
sowing the bottom of his pages with curiously illuminating remarks, and he has
here carried out his custom in a way to astonish. He tells us that those who
peruse his notes in addition to those of Lane would be complete proficients in
the knowledge of Oriental practices and customs. Lane begins with Islam from
Creation to the present day, and has deservedly won for his Notes the honour
of a separate reprint.
Public-domain text, read in full here on John Shaqi.
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