Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
Fairy tales; Tales -- Arab countries
A striking novelty in Captain Burton's translation is the frequent occurrence
of passages in cadenced prose, called in Arabic "Saj'a," or the cooing of a
dove. These melodious fragments have a charming effect on the ear. They come
as dulcet-surprises, and mostly occur in highly-wrought situations, or they
are used to convey a vivid sense of something exquisite in art or nature. We
give one or two instances of these little eddies of song set like gems in the
prose. Their introduction seems due to whim or caprice, but really is due to
profound study of the situation, as if the tale-teller felt suddenly compelled
to break into the rhythmic strain. The prose ripples and rises to dancing
measure when the King of the Age, wandering in a lonely palace, comes upon the
half-petrified youth, "the Ensorcelled Prince."
"Now when the Sultan heard the mournful voice he sprang to his feet, and
following the sound found a curtain let down over the chamber door. He raised
it and saw behind it a young man sitting upon a couch about a cubic above the
ground: he fair to the sight, a well- shaped wight, with eloquence dight, his
forehead was flower-white, his cheek rosy bright, and a mole on his cheek
breadth like an ambergris mite."
It is broken again to bring into fuller notice the perfections of one of the
three merry ladies of Baghdad, sitting under a silken canopy, the curtains
"looped up with pearls as big as filberts and bigger." We are told to note how
eastern are the metaphors, how confused the flattery.
"Thereupon sat a lady bright of blee, with brow-beaming brilliancy, and her
eyebrows were arched as for archery; her breath breathed ambergris and
perfumery, and her lips were sugar to taste and carnelian to see. Her stature
was straight as the letter I (the letter Alif a straight perpendicular
stroke), and her face shamed the noon sun's radiancy; and she was even as a
galaxy or a dome with golden marquetry, or a bride displayed on choicest
finery, or a noble maid of Araby."
And prose is not thought adequate to do justice to the natural beauty of a
garden "like one of the pleasaunces of Paradise."
"It was a garden with trees of freshest green and ripe fruits of yellow sheen;
and its birds were singing clear and keen, and rills ran wimpling through the
fair terrene."
Public-domain text, read in full here on John Shaqi.
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