Supplemental Nights to the Book of the Thousand and One Nights — Volume 2 (of 6)
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 2 (of 6)
Fairy tales; Tales -- Arab countries
To this piteous tale of the three very sensitive queens Tawney appends
the following note: Rohde, in his “Greichische Novellistik,” p. 62,
compares with this a story told by Timæus, of a Sybarite who saw a
husbandman hoeing a field, and contracted rupture from it. Another
Sybarite, to whom he told the tale of his sad mishap, got ear-ache from
hearing it. Oesterley, in his German translation of the Baitál Pachísí,
points out that Grimm, in his “Kindermärchen,” iii. p. 238, quotes a
similar incident from the travels of the Three Sons of Giaffar: out of
four princesses, one faints because a rose-twig is thrown into her face
among some roses; a second shuts her eyes in order not to see the statue
of a man; a third says, “Go away; the hairs in your fur cloak run into
me;” and the fourth covers her face, fearing that some of the fish in a
tank may belong to the male sex. He also quotes a striking parallel from
the “Elites des contes du Sieur d’Onville:” Four ladies dispute as to
which of them is the most delicate. One has been lame for three months
owing to a rose-leaf having fallen on her foot; another has had three
ribs broken by a sheet in her bed having been crumpled; a third has held
her head on one side for six weeks owing to one half of her head having
three or more hairs on it than the other; a fourth has broken a
blood-vessel by a slight movement, and the rupture cannot be healed
without breaking the whole limb. [Poor things!]
_THE PRINCE WHO FELL IN LOVE WITH THE PICTURE. Vol. I. p. 226._
In the Persian tales of “The Thousand and One Days,” a young prince
entered his father’s treasury one day, and saw there a little cedar
chest “set with pearls, diamonds, emeralds, and topazes;” on opening it
(for the key was in the lock) he beheld the picture of an exceedingly
beautiful woman, with whom he immediately fell in love. Ascertaining the
name of the lady from an inscription on the back of the portrait, he
sets off with a companion to discover her, and having been told by an
old man at Baghdád that her father at one time reigned in Ceylon, he
continued his journey thither, encountering many unheard-of adventures
by the way. Ultimately he is informed that the lady with whose portrait
he had become enamoured was one of the favourites of King Solomon. One
should suppose that this would have effectually cured the love-sick
prince; but no: he “could never banish her sweet image from his
heart.”[509]
Public-domain text, read in full here on John Shaqi.
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