Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
Fairy tales; Tales -- Arab countries
This story has been imported into the “History of the Seven Wise Masters
of Rome,” the European form of the Book of Sindibád, where the prince
discovers to his father the paramour of his stepmother, the empress, in
the person of a young man disguised as one of her maid-servants, and its
presence in the work is quite inconsistent with the lady’s violent lust
after the young prince. There is a similar tale in the Hebrew version,
“Mishlé Sandabar,” but the disguised youth is not detected. Vatsyayana,
in his “Káma Sutra” (or Aphorisms of Love), speaks of it as a common
practice in India thus to smuggle men into the women’s apartments in
female attire. In the Introduction to the “Kathá Sarit Ságara,”
Vararuchi relates how King Yogananda saw his queen leaning out of a
window and asking questions of a Bráhman guest that was looking up. That
trivial circumstance threw the king into a passion, and he gave orders
that the Bráhman should be put to death; for jealousy interferes with
discernment. Then as that Bráhman was being led off to the place of
execution in order that he should be put to death, a fish in the market
laughed aloud, though it was dead. The king hearing it immediately
prohibited for the present the execution of the Bráhman, and asked
Vararuchi the reason why the fish laughed. He desired time to think over
the matter and learned from the conversation of a rákshasí with her
children that the fish said to himself, “All the king’s wives are
dissolute, for in every part of his harem there are men dressed up as
women, and nevertheless while those escape, an innocent Bráhman is to be
put to death”; and this tickled the fish so that he laughed. Mr. Tawney
says that Dr. Liebrecht, in “Orient und Occident,” vol. i. p. 341,
compares this story with one in the old French romance of Merlin. There
Merlin laughs because the wife of Julius Cæsar had twelve young men
disguised as ladies-in-waiting. Benfey, in a note on Liebrecht’s
article, compares with the story of Merlin one by the Countess
d’Aulnois, No. 36 of Basile’s “Pentamerone,” Straparola, iv. 1, and a
story in the “Suka Saptatí.” In this some cooked fish laugh so that the
whole town hears them; the reason being the same as in the above story
and in that of Merlin. In a Kashmírí version, which has several other
incidents and bears a close resemblance to No. 4 of M. Legrand’s
“Recueil de Contes Populaires Grecs,” to the story of “The Clever Girl”
in Professor T. F. Crane’s “Italian Popular Tales,” and to a fable in
the Talmud, the king requires his vazír to inform him within six months
why the fish laughed in presence of the queen. The vazír sends his son
abroad until the king’s anger had somewhat cooled—for himself he expects
nothing but death. The vazír’s son learns from the clever daughter of a
farmer that the laughing of the fish indicates that there is a man in
the palace unknown to the king. He hastens home and tells his father the
secret, who at once communicates it to the king.
Public-domain text, read in full here on John Shaqi.
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