Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the CollectorLayard, George Somes
History
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
Layard, George Somes
Engraving; Engraving -- Collectors and collecting
A. & C. BLACK, SOHO SQUARE, LONDON, W.
TRANSCRIBER’S NOTE
Original spelling and grammar have been generally retained, with some
exceptions noted below. Original printed page numbers are shown like
this: {52}. Original small caps are now uppercase, except that on
page 223 the small caps phrase is rendered thus: “hos heros
MonaChos apprenDe bata Ve rebeLLes”, in the simple text
edition. Italics look _like this_. Footnotes have been relabeled
1–46, and moved from within paragraphs to nearby locations between
paragraphs. The transcriber produced the cover image and hereby assigns
it to the public domain. Original page images are available from
archive.org—search for “suppressedplates00laya”.
The List of Illustrations contains two divisions, those that were
printed upon numbered pages, and those that were printed on unnumbered
pages. Most illustrations originally printed inside paragraphs of
text have been moved to nearby locations between paragraphs, and the
corresponding page numbers have been removed as necessary to maintain
proper order of the remaining page numbers. Captions of Illustrations
were sometimes altered to conform more closely—in substance or in
typography—to the titles in the List of Illustrations (LOI). In such
cases, the original captions (if any) are nevertheless retained as part
of the image. On page 172, a caption was inserted where none had been
printed, to match the LOI.
Page 10. “protoype” to “prototype”.
Page 212. “fireband” to “firebrand”.
Page 254. “Whistler, James M‘N” to “Whistler, James M’N”.
End of the Project Gutenberg EBook of Suppressed Plates, Wood-engravings, &c., by
George Somes Layard
Public-domain text, read in full here on John Shaqi.
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