Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the CollectorLayard, George Somes
History
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
Layard, George Somes
Engraving; Engraving -- Collectors and collecting
And, if we take down our volume of collected _Punch_ cartoons and
turn to those dealing with Disraeli, we shall be disinclined to think
that it was out of any consideration for “Benjamin Bombastes” himself
that this splendid drawing was withheld from publication. But thinly
disguised contempt is the attitude almost invariably maintained
towards him, whilst but thinly disguised personal admiration for
his great rival discounts even the bitterest political taunts {132}
flung at that devoted head. No! I am inclined to think that events
at this time, to which this cartoon referred, were wringing unwilling
approbation even from “The Asiatic Mystery’s” most bitter enemies,
and that Bouverie Street could not but acknowledge that here at least
“Ben-Dizzy” deserved well of his country. For surely the cartoon
has reference to nothing less than that crowning act of wisdom, the
purchase of nearly half the shares in the Suez Canal for four millions
sterling. Here we have Disraeli with his umbrella pointing the way,
not across the Red Sea as Mr. Spielmann imagines, but up the Canal
_towards_ the Red Sea. He calls out, “Don’t be afraid! it’s getting
shallower,” thus possibly referring to the original notion (afterwards
disproved) that the level of the Mediterranean was 30 feet below that
of the Red Sea. On the right-hand, and Egyptian, side of the water, if
we look carefully, we discover the shadowy outline of the Sphinx and
the Pyramids, which latter rise dimly to the margin of the drawing. On
the bank indistinct forms of the Liberal “Opposition” wave their arms,
hurl stones and shout “Yah” at the {133} wading financiers. Such was
the hardly congratulatory attitude assumed towards this masterly move
by Charles Keene.
But when we turn to the cartoons dealing with this subject by Sir
John Tenniel,[25] which _did_ appear, what do we find? The first is
“Mosé in Egitto”!!! published on December 11, 1875, to which, in the
collected cartoons, the following note is appended:—“Mr. Disraeli
extorted the admiration of the country by purchasing for £4,000,000,
on behalf of the Government, the shares in the Suez Canal held by the
Khedive of Egypt.” The second is entitled “The Lion’s Share—_Gare
à qui la touche_,” on February 26, 1896, to which the note appended
runs: “The acquisition of the Suez Canal shares was accepted by the
country as securing the safety of ‘The Key to India.’” These, as will
be seen, frankly recognise the wisdom of the purchase. Hence it is not
surprising if the feeling against the suggestion contained in Keene’s
cartoon—that the financiers of the day were being put into a {134}
ridiculous position by the Conservative Leader—was strong enough to
result in its rejection. Its inclusion would have gone far to stultify
the effect of the congratulatory attitude taken up by _Punch’s_
chartered cartoonist. At any rate, this view of the case appears to be
most reasonable, and I give it for what it is worth.
Public-domain text, read in full here on John Shaqi.
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