Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the CollectorLayard, George Somes
History
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
Layard, George Somes
Engraving; Engraving -- Collectors and collecting
obtained a niche in that pillory (forgive the mixing of metaphors), and
to see the fun of a little exaggerated banter, and perchance learn a
little lesson from it, would not be so very bad a fate after all. But I
suppose it all depends on the point of view. {166}
As I say, I have by me a delightfully ironic missive from the late
president of the Society of the Butterfly himself, acknowledging
“the exceedingly amiable and flattering form of the playful request”
contained in my letter, with a hint at the end that lawyers might look
upon any reproduction of the forbidden matter as less than tolerable.
Alas! that it is so, and all I can do is to refer my readers to the
columns of the _Pall Mall Gazette_ for May 15 and 25, 1894, in which
appeared Whistler’s two letters, and quote here the interview with
du Maurier upon the matter. They form a curious commentary upon the
“Gentle Art of Losing—Friends.”
Extract from _Pall Mall Gazette_, May 19, 1894.[29]
MR. WHISTLER AND MR. DU MAURIER THE “PUNCH” ARTIST’S ATTITUDE
Mr. George du Maurier, “hidden in Hampstead” as Mr. Whistler put it
in his letter to us a day or two ago, was discovered by a _Pall Mall
Gazette_ reporter without the aid of any exploring party yesterday,
when that representative called to see what the famous _Punch_ artist
had to say in reply to Mr. Whistler. Mr. du Maurier was not disposed
at first to vouchsafe any answer. “If a bargee insults one {167} in
the street,” he said, “one can only pass on. One cannot stop and argue
it out.” But on second thoughts Mr. du Maurier added a few words. “I
should,” he said, “have avoided all reference to Mr. Whistler, or
anything which could have been construed into reference to him, if I
had imagined it would have pained him. I should have written privately
to him to say so, if his letter had been less violent and less brutal.
Certainly, in the character of Sibley, in my serial story _Trilby_
I have drawn certain lines with Mr. Whistler in my mind. I thought
that the reference to those matters would have recalled some of the
good times we used to have in Paris in the old days. I thought that
both with Mr. Whistler and with other acquaintances I have similarly
treated, pleasurable recollections would have been awakened. But he
has taken the matter so terribly seriously. It is so unlike him.
[29] By kind permission of the Proprietor.
Public-domain text, read in full here on John Shaqi.
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