Surrey: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Surrey: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Surrey (England) -- Description and travel
Most ingeniously our author reports those projectiles, at first received
with curiosity as matter for newspaper paragraphs, then with wonder and
terror, growing to frantic panic when it appeared that, like the Trojan
horse, they held hostile beings equipped with supermundane weapons and
means of locomotion. The fate of Troy would be a mere squib beside the
awful conflagration raised by such irresistible invaders, stalking
across the country on their jointed stilts, picking up bank directors
and baker's boys as we gather blackberries, trampling down the British
army like ants, scorching up everything about them by an invisible
heat-ray, and poisoning the landscape by fumes unknown to our chemistry,
while all the artillery that can be hurried up for the defence of London
has little more effect on them than pop-guns. Nervous readers may cry
out at the gruesome incidents of page after page; but no one can deny
the cleverness with which scientific imagination has been infused
through the realistic details of this grim story. Its most marvellously
simple device is that by which the triumphant giants are got off the
stage. When London has been left empty to the flames, when the Thames
is choked up by the monstrous and prolific red vegetation of Mars, when
the whole population of Britain are in mad flight, and civilised
humanity is trembling all over our earth at what seems its inevitable
fate, the most experienced novel-reader cannot for the life of him guess
what is to be the necessary _dénouement_ of deliverance; yet for
overthrowing those Martian giants the author has in reserve means more
ready and common than the pebbles of David's sling. Old poets, in such a
case, had to provide their heroes with flying chariots, clouds of
invisibility, interfering gods and the like; but all such machinery
appears clumsy beside the everyday natural wonders familiar to a
biologist. Of this tale, equally winged by imagination and knowledge, I
will only say further that it were best read on a sunny bank of Surrey,
by no means beside a guttering candle amid the creakings and scratchings
of some lonely moated grange.
At the opening of his chronicle, the narrator's supposed stand-point is
Maybury Hill, looking down on the Woking railway line, which might be
taken as an eastern boundary for the district now in view, if the
commons did not straggle over the line to the edge of the Wey valley.
Here lies,
[Illustration: AN OLD FARM, NEAR LEITH HILL.]
Public-domain text, read in full here on John Shaqi.
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