Surrey: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Surrey: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Surrey (England) -- Description and travel
I have confessed to Leith Hill as the corner of Surrey that smiles for
me above all others; but there are those who will call out on one for
not preferring the severer beauties of Hindhead. This is, of course, a
matter of taste, to some extent of upbringing. I was mainly reared in a
country where stern and wild aspects of nature are cheaper than the lush
charms of the South, that to my countrymen may appeal with a certain
attraction of rarity. One has heard of a Swiss guide whose admiration
was excited by a wide prospect of London chimney pots. A Corsican
gentleman once undertook to show me what he called one of the finest
scenes in his island, which I found too much like a market-garden.
Cobbett, for his part, roundly abused Hindhead as "the most villainous
spot God ever made," by which he seems to mean that the roads were
rough and the soil not suited for growing the "Cobbett corn" or the
acacias which, with different degrees of success, he was trying to
naturalise in his native country, when he carried on the trade of a
nursery-gardener along with that of an uprooting journalist. For once,
he has a laugh against himself in his _Rural Rides_, with the story of
how he tried to get from Liphook--or was it Liss?--to Thursley without
crossing the abhorred moor, yet after all blundered in the dark on to
the top of it, though he had taken a local guide, as Pepys was fain to
do for the passage of that Surrey St. Bernard.
Our age has a new heart for such open heights as border the Portsmouth
road between Thursley and Liphook. At its highest point, about 900 feet,
the road passes along the brow of a wide and deep depression known as
the Devil's Punch Bowl, round which stretches of bracken, gorse and
heath, broken dells, ponds and pine-crested ridges, fall into the
valleys by slopes and hollows rich in green lanes, in tangled coppices,
in old cottages, and in other picturesque "bits," the whole airy swell
making a smaller and drier edition of Dartmoor. This once thinly
populated moorland could not but attract artists and authors, who began
to settle here
[Illustration: A WIDE STRETCH FROM THE GIBBET, HINDHEAD.]
Public-domain text, read in full here on John Shaqi.
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